Yeah, my pick this week is old… Screw all that day-and-date shit, good comics are forever. They are all I need to please me, They can stimulate and tease me, They won’t leave in the night, I’ve no fear that they might desert me. Good comics are forever, Hold one up and then caress it, Touch it, stroke it and undress it, I can see every part, Nothing hides in the heart to hurt me…
Aaaaaaanyway, I resumed reading Chew this week and it blew me away:
Book of the week 30: Chew 9 (and 10) (Image comics)
Thank you for the joy that is Chew. That was the most important thing I wanted to tell you. I got the first Chew trade for Christmas last year and really enjoyed it. While I moved on to single issues after that, I somehow never got past issue 8, despite the fact that I was loving the crap out of your series. After your winning of the Eisner for best continuing series last week (congratulations!), I decided to resume the reading of your series. Since there were a lot of other good comics I wanted to read this week (for reviews of which you have but to look below) I only read issue 9 and 10, finishing the second story arc ‘International Flavor’. These two issues though where the cream of my crop.
What I have wondered since the first issue of your series is whether or not your protagonist Tony Chew’s affliction of being a cibopathic is real? In the first issue you introduced the notion of someone gaining the experiences of whatever he or she eats. You have introduced this concept so convincingly that I started to look into it. While I think cibophatogy (or is it cibophathy?) is a fantastic gimmick to use in a story about police work, I have not been able to find any information on these cibophats. Strangely every google hit refers to sites about your series. This drives me banana’s!
I thought the mere use of cibopathics in your series was unique enough, but during the reading of the first trade I already realized you did not have all your eggs in one basket, and that virtually anything can happen in this book. This sets your title apart from many other currently published books, you really don’t know what twists and turns the story will take next. A good example of your unique characters is the mute chef, who can only communicate through cooking. You describe him as following: “A scholar and classicist, he has translated the complete works of Shakespeare into cuisine.” I understand that explaining the genial, surreal madness of this will not make it funnier, so let’s just leave it at that.
Praise however should not be exclusively reserved for the story itself, the way the story is told is also exquisite. You seem to refine the rules of the medium by such inventions as a page with three subsequent (and through caption boxes thusly addressed) cliffhangers.
And what about the art? While at first it may be estimated as ‘merely’ cartoony, upon further investigation it proves to be top notch cartooning in a most expressive way. Mister Guillory gets across emotions in his pencils as well as humor, drama and kick ass action scenes. From the last category I would like to point out the spread of Chew kicking in a door, gun ready, screaming: “Sheathe the fangs, motherfucker.”
Issue 9 and 10 close out the arc where Tony investigates a small island nation that seems to have found the way around the worldwide chicken prohibition. His research however leads him to a conspiracy revolving around international chefs, chicken substitutes, a fighting cock and vampires. All the while he falls in love and his partner seems to be giving up his ass to cover for Chew? I hope we get to read some more about that…
To make a long story short: Thanks for the great comicbooking and congratulations on the Eisner. I’m looking forward to reading the rest of your series and hope it keeps selling like hot cakes.
With kind regards,
Gerard van der Waal
1. Chew #9
Art: 9 Writing: 9,5 Overall: 9.3
2. Chew #10
Art: 9 Writing: 8,5 Overall: 8.8