5. Rachel Rising #1 (Abstract Studio) 8.3
About a girl who wakes up from the dead without knowing that she’s deceased or remembering what happened. Very effective storytelling. The sparse use of dialogues show off Moore’s strengths. There’s a car sequence in here which didn’t look very good. The rest of the book is gorgeous, especially the opening sequence, which also introduces a mysterious female figure who looks on as Rachel rises. Which adds another mystifying layer to this story. Really curious as to what’s going on.
6. Flashpoint #4 (DC comics) 8
Nerdgasm! Cyborg, Flash and Batman’s dad stand around in the kitchen of the Marvel kids to get captain Thunder on board with their little invasion of the Amazonian occupied Brittain. Kubert’s art is still improving and the writing is a marathon of kick-ass moments interwoven into a story that actually makes some sense. What more can you wish for? (Yeah, my ‘reviews’ are pretty much based on my personal taste instead of critical analysis…)
7. X-men Schism #2 (Marvel comics) 8
Great art. I have to wonder though, why Wolvie looks like an ogre? And later on Scott looks way too scrawny. Plus on the writing side: Aaron makes Rogue sound even dumber than she’s normally portrayed, which is a shame for all the character development she has gone through under the pen of Mike Carey. “Selling organs to dire wraiths,” that’s classic!
8. Zeke Deadwood, zombie lawman. With a hammer in my hand (SLG publishing) 8
A great little one-shot about a zombie lawman riding an undead horse, who enters a town where a mad judge has hung all citizens. Highpoint of this issue is the dramatic shootout between Zeke Deadwood and a robot sheriff in the Wild, Wild West. I picked this up on a whim, when it was recommended on the 11 O’clock Comics forum. I couldn’t be happier with it! Fun story and great looking art, check it out!
9. BPRD Hell on earth. Monsters #1 (Dark Horse comics) 8
Good stuff, I understood everything while this is the first BPRD issue I’ve ever read. Great art by Tyler Cook (on the cartoony side of things). First-rate story about Liz holing up in a trailer camp.
10. Avengers #15 (Marvel comics) 8
I’m really tired of the interview framing of the story, while it doesn’t fit a blockbuster event tie-in, it does allow for some great character development. And that is what we get this issue as Hawkeye, Miss Marvel and especially Spider-woman take center stage. Basically, this whole issue revolves around a kiss and it has some interesting quotes before and after to contextualize this development. Sounds dull? It really works very good, although I have to wonder if Bendis wouldn’t be better of writing this kind of stuff into a series like the Gillmore Girls instead of the Avengers.
11. Sweet tooth #27 (Vertigo) 8
It looks like Gus bites the big one, though his journey is certainly interesting and looks very fascinating. Some time ago, I read a tweet by Jeff Lemire that he was painting some of his pages, well here’s the result. It looks wonderful, very dreamy and atmospheric and surreal; it shows a hint of Edvard Munch here and there. I can see that working on this got Lemire excited. But most of all, it’s exciting to see what happens next month, will the book be resolicited as Jepperd and co?
12. Ultimate fallout #1 (Marvel comics) 7.9
Perfect emotional beats, which feel a little cheap, but completely works. It made me choke up, while I’ve heard of people crying. Everyone is mourning for Peter and for Spider-man… Cliffhanger of Cap taking blame for the death of Peter before aunt May was a little lame. Great art by Bagley, which in some places looks more like his nineties style, which is not a bad thing to me.
13. Invincible #81 (Image comics) 7.9
Art a little too loose for my taste, not bad but more Larsen-esk. Kirkman realistically writes how Invincible is dealing with the death of thousands in Las Vegas last issue, as well as a reformed (but mentally unstable) villain his obsession with Mark, especially this plot ends on a very strong note. This panel really invests in making Mark human, not just through his relations with normal people like William and his mother, but this time by digging into his mind and playing around with his guilt and insecurities.
14. Gates of Gotham #3 (DC comics) 7.8
An in-between issue, not a lot happens, the art a little worse than last time. Good squabbles between the different bat characters. The architect, the villain is becoming more interesting.
15. Punisher #1 (Marvel comics) 7.5
Good new take on the Punisher which focuses more on the cops that are investigating the case which Frank is also looking into. If you like the movie Seven you’ll recognize the faces of detectives Somerset and Mills. I really liked Greg Rucka’s (the writer) work on Gotham Central, Detective Comics and Queen and Country. Somehow his Marvel stuff never capture’s my imagination the same way…
16. Ultimate fallout #2 (Marvel comics) 7.4
Especially liked the Gabe Hartman pages, he changes his style to work better with the earlier ultimate Spider-man artists while staying true to his style. Liked the fallout of Pete’s death; the funeral and MJ’s uncovering of what happened. The Thor and ultimate X parts though, not so much…
17. Flashpoint: Canterbury Cricket #1 (DC comics) 7
Great cliché origin, some more insight into the British resistance, solid art, good writing. I hope we get to see more of this religion-based superhero. Maybe in Xombie? (-Oh, wait that great title will not be around after the DC reboot…)
18. Ultimate Fallout #3 (Marvel comics) 7
Again the structure is really weird, I get that Marvel wants us to buy their comics. But promotional material should be free, this is very much a promo. Varying quality of art especially the Karen Grant and Kitty stories were good, it seems like Kitty, Bobby and Johnny are quitting the super-heroics, though I bet not for long…
19. Flashpoint: Wonder Woman and the Furies #2 (DC comics) 6.9
The conflict between Aquaman and Wonder Woman escalates. And Wonder Woman gets a new helmet as a reminder of ‘what the war has cost all of us’. This has a lot of the moments you’ve wanted to see, if you’ve read the Flashpoint main title. Solid writing by Abnett and Lanning, the art begins good but peters out at the end.
20. Batman. Gates of Gotham #4 (DC comics) 6.9
Both art and writing take a sudden dip as the creative team gets a shake-up. This issue is written by Kyle Higgens and Ryan Parrot while original scribe Scot Snyder is acknowledged with a mere story credit. Art duties are split between Dustin Nguyen and Derec Donovan (original series artist Trevor McCarthy is nowhere to be seen), despite having two pencillers the art still looks rushed. Let’s just hope (although it’s very unlikely) that everything will turn back to normal next issue.
21. Flashpoint: Project Superman #2 (DC comics) 6.9
Art a little better than last time, no probs with writing. But the design on subject zero is very bad. He looks like a giant from Dragonball Z or something… Story: we get to see the lab rat life that Kal has grown up in, in the Flashpoint Universe. General Lane is the only one who tries to connect with him on a human level and ultimately saves his life at a great price…
22. Robocop Terminator. Kill human #1 (Dynamite!) 6.5
Nothing too special about this one. It shows how a first issue does not work all too great. While the final cliffhanger has me intrigued over what will happen during the rest of the series (and fearing that it will be only action), the rest of the issue doesn’t intrigued me a bit, it just sets up the story for Robocop awaking in the future where Skynet has taken over… Great covers though…
23. Flashpoint: Deadman and the flying Graysons #2 (DC comics) 6
This is one of THOSE JT Krull issues. While there is nothing wrong with the story told, the dialogue is crude and feels to be laid down haphazardly. Art took a wrong turn since last issue (like most of the Flashpoint tie-ins)…
Holy shit, that were a lot of comics. I’m dialing it down next week but expect a review of Red Skull Incarnate #2 and some more Chew…