2. Batwoman #1 (DC comics)
A flawless continuation of the Batwoman story by Greg Rucka an JH Williams III, showing that Williams doesn’t only have magic artist skills, but also writing skills (not to forget co-writer W. Haden Blackman of course). Art-wise, I would have liked to give this issue a ten, but I found some of the two page panel layouts were a bit confusing. But that’s a minor complaint of a beautiful book. This sees and explains Batwoman having broken off with her father and taking on a side kick, which I totally dig. This may be my favorite of the DC relaunch books, although I really think it’s an unfair comparison as this book has had a yearlong lead in time. Oh, and sometimes I get a bit over-enthusiastic about little art details (like the way I enjoy Yanick Paquette’s rendition of pigeons) and this issue has another pet peeve of mine: breaking glass. This issue has the most wonderful splash of flying glass I have ever seen. But it’s not just glass that looks great, Williams divides the book in two art styles. Detailed and photo-realistic with a thick line and stark color choices, for the out-of-costume scenes and beautiful painterly for the suited-up Batwoman scenes. I am in love with this book.
Art: 9.5 Writing: 9 Overall: 9.2
3. Sweet Tooth #25 (Vertigo)
Jeff Lemire is a cruel Canadian donkey humper. There, I’ve said it. Not only is he evenly talented as a writer and artist, not only does he create one of the most unusual comics out there, but he’s also a cruel man. I’m not talking about the stuff he puts his character through in the book, but what he puts the reader through. For something like ten issues he’s led the reader to believe that one terrible thing has happened, which has influenced every decision made by two of the most important characters in this book. Well, in this issue, we learn that things did not pan out as we were originally led to believe… OMG, this has to be the cliffhanger of the year! I won’t spoil anything but oh what a surprise twist! The art is just as great as usual. Story-wise, the tension between Jepperd and the girls comes to a head. And he finds himself turned away from Gus, the (buck)boy he has sworn to protect. In my opinion, this is the best written issue in this series so far. We learn whether or not Gus survives being shot, then we see the group of survivors make a decision about staying at a safe location or heading further north, and then there’s this great, great cliffhanger!
Art: 9 Writing: 9 Overall: 9
4. X-men Schism #4 (Marvel comics)
This is like Marvel’s Civil War cross-over event, only for the X-men. The main point of conflict between Wolverine and Cyclops being whether or not they should put children on the battlefield. Cyclops thinks this is the case, Wolverine disagrees. They argue over this in front of the kids, Wolverine stating that the island nation of Utopia isn’t worth dying over, while Cyclops argues that this is where mutant kind should make their stand. And all the while there´s this crazy powerful super-Sentinel coming their way, with the purpose to destroy their home, Utopia. When Wolverine can’t convince Cyclops (or the children), he places explosives all over the island and threatens to blow it and the Mega Sentinel up, once it’s close enough. The children evacuate and then things get rough as Cyclops says: “She never loved you, you know. You always frightened her.’ At which Wolverine replies: ‘And if she was here right now… who do you think she’d be more frightened of?’ (Best X-men dialogue since ‘Professor X is a jerk!’?). This quip makes Cyke snap and things get physical, very physical as the two main mutants duke it out with a deadly Sentinel looming over them. All drawn very competently by the legendary Alan Davis and written by the writer who really gets the X-men, Jason Aaron.
Art: 8 Writing: 9.5 Overall: 8.7