Tag Archives: Drop comics

Extended quick shots for week 28: Nick Fury and ACE another Dutch comic

A dynamic panel from Nick Fury.Agent of Shield, by Jim Steranko

A dynamic panel from Nick Fury.Agent of Shield, by Jim Steranko

5. Strange Tales #156-163 (Marvel comics, 1967)                                                     7
I keep on plowing through the trade paperback of Nick Fury. Agent of SHIELD. The stories in here are being told in 12 page installments, because the original issues were split between Nick Fury stories and Dr. Strange stories. Issue 156 finally wraps up the first big arc, in which Fury is after Baron Wolfgang von Strucker or the Head Hydra as he was mostly known around then. I was glad to see this long winded rat race come to an end, and welcomed some shorter stories. But sadly writing wasn’t Jim Steranko’s strong suit. Regrettably, the art also took a bit of a dip, when Steranko stopped inking himself. I know that Bill Everett is no slouch either, but it just doesn’t look the same. As far as I have read now, without his own inks Steranko sadly devolves into a Kirby clone (was it the times, or just Marvel’s house style?)
6. ACE #2 (DROP comics)                                                                                                       6.9
And now for a little Dutch flavor. ACE stands for Action Committee Extraordinary, a pan European security agency with national branches. This series shows the adventures of the ACE team designated to the Netherlands. After a zero issue and the number one issue, writer Gert-Jan van Oosten is still setting up the team and the characters, but in this issue we get a gleam of the overall plot direction of this series. In this issue, we follow new recruit John Rock, who can copy knowledge and skills of the people he’s close to. We see Rock get recruited and initiated in the agency. But his welcome turns violent as he gets to fight ACE’s local martial arts expert and gets off on the wrong foot with another new recruit, who seems to be having a secret agenda of his own. Reading this issue, it felt like Van Oosten’s love letter to the classic Chris Claremont X-men. We have a bit of a danger room analogue, a quite physical welcoming ordeal, a team consisting of members with exotic powers as well as exotic ethnicities, fun banter between the characters and of course there is a Madrox the Multiple Man analogue. I love how subtle he manages to get these references in there, without it standing in the way of telling his story. The series’ artist is Ranjit Dommisse, a guy clearly channeling J. Scott Cambell (though a bit more cartoony), I love the way he portrays his women and the visual style he manages to set forth throughout this series. However, I have some issues with his linework and the lack of details (both in faces and backgrounds). Still, this issue’s got a beautiful two page spread introducing all the characters and a wonderfully choreographed fight scene.

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Quick shots for week 37: Space fights, money laundering and vampire whacking!

5. The Mighty Thor #4 (Marvel comics)                                                                   8.7
This issue Thor is packing the funny: ‘Aye, Omnipotence has its down side’. And we get to see that rarest of things in all Marvel comics: a glimpse inside the head of Galactus! Buy this issue for great all-out action between Galactus and Silver Surfer on one side and Thor, Odin and nine other Asgarians on the other. This is how a fight of cosmic proportions is executed, there are high stakes (they are fighting over an object that could sate Galactus´ hunger and thus save untold billions of lives throughout the universe), holes in big purple heads and blows that launch opponents through solar systems. And it’s all drawn really pretty by Oliver Coipiel, who went all out on the designs for Asgardian space suits.
6. The Rinse #1 (BOOM Studios)                                                                                      8.6
A crime series about high finance and low-down greed. Think the criminal part of Ed Brubaker’s and Sean Philips’ Criminal, combined with the procedural stuff from television’s The Wire and that makes for one hell of an interesting and original crime comic. We follow a hustler who’s very good at laundering money. In this issue he gets involved in a high stakes operation as well as, quite surprisingly, the law. The art felt a little like Sean Philips lite, which isn’t really a bad thing. The story was very good. Can’t wait to learn where this is going.
7. Batwing #1 (DC comics)                                                                                                 8.5
I think this is the second issue with Ben Oliver art I’ve ever seen, and I’m pretty sure I have become of fan of this guy. I picked this up because this spins out of Batman Inc., which I have loved thus far. This first issue, written by Judd Winnick, really is surprisingly good. We follow this guy that has gotten Batman Inc. support in an African country. He works for the police in his day job, which provides him with opportunities to tie his day and night work together. And that’s just what happens in this issue as he stumbles upon the work of one Massacre. Massacre seemingly likes to decapitate and dismember people and build structures with different body parts (hey, to each their own…). So, be warned this is pretty nasty, graphic, bloody stuff.
8. OMAC #1 (DC comics)                                                                                                       8.2
Read this because of all the buzz it got on the Eleven O´Clock Comics podcast, and while I get the cause of the enthusiasm, I just don’t share it. That may be because I’m not such a big Kirby fan as they are, or because I’ve never read any OMAC prior to this. Basically, this introduces OMAC as a kind of mind controlled super strong robot/cyborg Mohawk Smurf, that breaks into the Cadmus laboratory to hack into the mainframe. In doing so he reconnects his ‘master’ with the Cadmus database. It’s a fine comic, especially the art is very strong. Keith Giffen, channels Jack Kirby, while staying through to his own style and puts more details in his pencils than I think I’ve ever seen him do. This results in great dynamic art and exquisitely detailed backgrounds. What was visually most appealing to me is the coloring by Hi Fi studios. The dialogue was okay, but the flow of the story and especially the action was great. It’s just not really my cup of tea. I will pick up the second issue, but I´m still on the fence about continuing after that.
9. The Mighty Thor #5 (Marvel comics)                                                                       8
What happened this issue??? Well, things get VERY epic as Odin and Galactus knock each other out. Galactus got on his feet again, Odin didn’t. Then there’s also Volstag who’s preparing for war with the citizens of Broxton, Oklahoma. And Thor is jealous that Sif is riding on the Silver Surfer’s board… The art was a little worse for wear and Oliver Coipiel (maybe my favorite current artist) got an art assist from Khoi Pham, who is a great artist in his own right and can change his style well enough to match Coipiel, but it’s just not as good as Coipiel firing on all cylinders.
10. Sanguis #0 (DROP comics)                                                                                        7.7
Wow. That was good, that was very good. This short prequel flows like a motherfucker, has some strong Humberto Ramos inspired art, exquisite, rough and moody colors as well as strong, confident inks. This sets up the story for what we can expect in the following issues, a priest with a magical medallion, a hot chick vampire hunter, vampires (of course) and balls-to-the-wall action! I was bummed that the rest of the series will play out in current times and not in the ‘40’s, like this issue. A minor critique is that the inks on the last story page stood out a bit compared to the rest of the issue. That doesn’t spoil the book though, I’m excited to read on and curious as to what I’ll find in future issues.
11. Sanguis #1 (DROP comics)                                                                                          7.7
This again was very good. You get the feeling it’s written in English by a non-native, (which it is of course) however this does not take away from the experience, or the story (which is very intriguing) and makes me very curious for next issue, which is written in Dutch. In this issue we follow Father Fred as he heads out to Switzerland to fulfill the dying wish of his friend bishop Van der Steen. Here he meets the Frauenknecht family who is secretly tasked with the protection of the ‘best guarded secret inside and outside the church.’ A secret that goes back hundreds of years and currently hangs around the neck of the attractive young Frauenknecht daughter, Eve. What this issue lacks in action (especially compared to last issue), it makes up for in flow and smart story telling techniques. The art takes a weird turn this issue, it’s just as good as last issue (though again it looks like the inking is a tad inconsistent here and there with varying line thicknesses), but is different stylistically. While last issue it reminded me of Humberto Ramos topped off with some beautifully rough inks and colors, this issue the colors had a bit of a less rough texture. The pencils however, are still reminiscent of Ramos. Nevertheless, I get a stronger Tony Moore-vibe, with a bit of a Declan Shalvey edge to it… What makes this issue particularly strong though is the acting of father Fred. The grief over the loss of his friend, as well as the amazement of heading out to Switzerland for who-knows-what, are written very clearly all over his face.
12. Sanguis #2 (DROP comics)                                                                                         7.6
I loved the backmatter explaining a little about the artistic process of Dimitri Jansma. I really like to see artist evolve (or just change it up a bit), and that’s just what you get when you read Sanguis. Visually, every issue subtly distinguishes itself from its predecessor. Though I personally enjoyed the styles of the first two issue better (this issue showcased some adventurous color choices in certain panels), this looks top notch too. I especially liked the big splash page of people outside of a silhouetted house. It looks very peaceful, which I guess is exactly what it’s supposed to convey. In this issue writer Gert-Jan van Oosten continues to show his skills as a storyteller. Sanguis #2 flows really good, and in only two and a half issues Van Oosten has created a richly detailed world, which I really want to know more about. In this issue main character Fred Siebelink meets two centuries old, Sanguis warriors (aka holy vampire and werewolf hunters). Just as they’re starting to get acquainted, all hell breaks loose as they are attacked by a coalition of (weirdly familiar) werewolves and vampires. Enter one kick-ass action scene. My only nitpick of this series is that I want to know more about the Sanguis and the world they live in, I understand the need to keep some things a mystery. But I think that when we learn a bit more, readers will be vested in this world more strongly. Understandably, that might not be possible in the format they have for Sanguis. But maybe a future issue could have a prose peace, offering some sweet revelations or something. Come on DROP comics, the people demand more Sanguis!
13. Herc #6.1 (Marvel comics)                                                                                          7.5
Good jumping-on point and cute story about Hermes being ordered by Zeus to find the depowered, former god Hercules who has pillaged the legendary weapons cache of Ares, to continue his journey as a superhero. Fun issue, but that’s a given with Fred van Lente and Greg Pak writing Herc. Not so keen on the Mike Grell art though…
14. The Living Corpse. Exhumed #1 (Dynamite Entertainment)                   7
I bought this because of the super sexy (though really misogynist) cover. Sadly, (well, maybe not) things didn’t get so steamy (rapey) on the inside of the book. The art looked fine, though I was inked a bit too stiff if you ask me. Story-wise it was a fun, action packed issue of The Living Corpse fighting vampires. Also, a good cliffhanger revealing the villain of this book.
15. Static Shock #1 (DC comics)                                                                                     6.2
After having read (and loved) John Rozum’s latest volume of Xombi, I had high expectations for this series. Sadly they weren’t met. They didn’t even come close. The first half felt like a bad nineties comic (everything, from character designs, to buildings, looks like nineties Spider-man). Early on this issue is nothing but horrible dialogues, combined with mediocre art. In the end the quality picks up a little but not enough for me to stay interested. This issue sees Static working as an intern at Star Labs, having moved to New York. Unbeknownst to him, he becomes involved in an incomprehensible criminal plot, which ultimately (SPOILERS) seems to cost him an arm. Hence the name of the next chapter: ‘Disarmed’. (Really??? DC doesn’t think that’s a little on the nose?) I will be back, but only to see how they handle this mutilation…

I guess I’ll be lowering the number of books I’ll be reading the following weeks as I’m busy with both work and internship as well as having just cracked open the original book version of Game of Thrones by George R.R. Martin.

My Stripfestival Breda 2011 swag

Today, the whole family went to the city of Breda; wife and kid went clothes shopping; while I went to one of the Netherland’s biggest comic convention, the Stripfestival Breda. It was a great chance to meet people I had only known through the internet (Hello there, Gert-Jan van Oosten), as well as seeing some crazy talented creators in action, like Ian Churchill, Mark Schultz, Igor Kordey as well as the folks from smaller Dutch publishers DROP comics and Windmill comics. Of course, I also got some good swag:

I’m finally going to get balls deep into DROP comics, having bought all of their output: Sanguis #0, #1, #2 (premiered today at Breda), as well as ACE issues zero and one.  From Windmill comics I picked up Rotterdam’s own superhero: Captain Roffa, which came with a sweet, sweet sketch of Cable by Boykoesh. I also got two trades, which have been on my to-buy-list for a long time: the Authority book one and three. Lastly, I met this friendly Flamish guy Rob Croonenborghs who has recently published a U.S. comic through 215Ink: Jezus Hates Zombies. Like all the work at his table I looked at, it looks awesome and he gives away free sketches, with everything he sells. So he decorated my copy of Jezus Hates Zombies with a great sketch of Jezus versus Wolverine.

Oh, and to top it all of, when I got home I found that the first issue of Gladstone’s School for World Conquerors had arrived. Thanks dethfilm!

Expect reviews of all this stuff in the following weeks. Even though I had a really tight spending budget I had a great time at the Stripfestival, and if anyone who’s reading this gets a chance to go there tomorrow (sunday the 10th of September) I highly recommend them to go there. If not to buy comics, then to meet some very talented and likable people!