Tag Archives: Ed Brubaker

Book of the week: Criminal. The Last of the Innocents #3

I’ve had a good week. I’ve won a comic book (Gladstone’s School for World Conquerors #1), what’s better than free comics? Thanks to Freaking Awsome Network, Image comics and creators Mark Andrew Smith and Armand Villavert!!! This week reviews of Criminal and a whole lot of Marvel comics: SHIELD, Captain America & BuckyGladstone’s #4, Walking Dead, X-men etc…

1. Criminal. The Last of the Innocents #3(Icon)

The creative team of Ed Brubaker and Sean Phillips continues to amaze. I’ve been a fan of theirs since I first read Sleeper (published by Wildstorm). While I don’t enjoy Brubaker’s mainstream stuff nearly as much, mostly every work by Phillips is perfect as far as I am concerned. I think I’ve read the first three volumes of Criminal and lost interest somewhere along the way. This latest volume however (The Last of the Innocents), seems to have reinvigorated the series. It has certainly reinvigorated my interest in it.

The previous volumes of Criminal have been loosely interconnected continuity-wise. As far as I can tell though, The Last of the Innocents thus far stands alone. As I wrote in my review of the second issue, Criminal tells stories about characters making some morally reprehensible decisions. Case in point is Riley Richards, the main character in this story, in good noir storytelling fashion, we watch the story unfold though his eyes. In the first issue we came to know him as a successful urban banker. In his private life however, things have been looking down for a long time. His marriage is a joke, he knows his wife is cheating and he’s badly in dept to a loan shark. Additionally he has become estranged from his friends and family in his hometown Brookview. At the end of the first issue he devises a plan to ease his woes: kill his wife and pay his dept with her money. In the second issue, that’s exactly what he does, and in this issue we follow him on the day after the murder. As it turns out Riley is a conniving son of a bitch, who doesn’t shy away from killing his spouse or manipulating his best friends to obtain an alibi (even if this messes up the sobriety of his recovering junkie best friend). Although his plan was well thought out and executed perfectly, in this issue some cracks start to show and we also learn that his father-in-law is pointing a private detective at him, because he suspects Riley’s hiding something.

Art by Sean Philips, from Criminal. the last of the Innocents #3.

Art by Sean Philips, from Criminal. the last of the Innocents #3.

Not only is Ed Brubaker responsible for making Captain America cool, his most important qualities are his fascination with pulp noir stories (be prepared for some narration through caption boxes) and the sublime way he writes morally grey characters. This last asset is what the Criminal series revolves around. A fun little fact is that he has always wanted to write for Archie, and in this series every character is an analogue for an Archiecharacter.

Sean Phillips and Ed Brubaker channeling Archie comics in Criminal. The Last of the Inocents #3.

Sean Phillips and Ed Brubaker channeling Archie comics in Criminal. The Last of the Inocents #3.

If you are accustomed to Sean Phillips’ art style you’ll agree at how well it fits the dark, sometimes macabre, sometimes desperate stories that are told in this series. I wouldn’t do the artist any justice to compare him with others, because his style is both very unique and ever-changing. This has never been truer than in this volume of Criminal where the flashbacks are told in the wholesome style of the good old Archie comics. I don’t think I’ve seen Phillips flex these kind of muscles before, but he pulls it off wonderfully. As far as I can tell, Archie comics should add Sean Phillips to their stable of artists. This change of art style provides the story with some comedic relief, while also adding to the feeling of lost innocence as referred to, in the title of this series. It’s not just the dirty Archiepages that made this book my pick of the week though. The pages that tell the story of Riley in the here-and-now are amazing as well.

Sean Philips is a master of facial expressions. Art from Criminal. The last of the Innocents #3, published by Icon.

Sean Philips is a master of facial expressions. Art from Criminal. The last of the Innocents #3, published by Icon.

I was stunned by Phillips’ effective use of different types of body language and facial expressions. Especially in this story where the protagonist is lying through his teeth and (flat-out acting each time he’s in public), it’s a huge benefit that the artist is a master in facial expressions. The reader can clearly witness the different faces Riley puts on in different surroundings. I’m very curious to see how this story concludes.
Art: 9.5                       Writing: 9.5    Overall: 9.5

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Runners up of week 33: SHIELD 1, Cloak and Dagger 1, Captain America & Bucky 620

2. SHIELD (Volume 1) #1 (Marvel comics)              
Last year when it originally came out, I didn’t give this series a fair shot, as it was written by this newcomer Jonathan Hickman, and had nothing to do with Nick Fury or the Supreme Headquarters International Espionage Law-enforcement Division. I got the first issue, read the first couple of pages and declared it crap. This week, after listening to John Hickman on the Wordballoon podcastmy interest was sparked and I sorted through my shortboxes to find this issue. And concluded that I had really done myself a disservice for not taking this series seriously. It turns out to be wonderful. It plays on some Marvel continuity Easter eggs (Egyptian En Sabah Nur joining Imhothep’s resistance, cameos by Howard Stark and Nathaniel Richards), while delivering a wholly original and smart story, that may well be retconned into Marvel cannon.  In this first issue we follow this young guy named Leonid, who has unspecified superpowers (and shows the black of the universe in his shadows). Leonid is taken into this organization called the Shield (called after Imhothep’s shield) and taken before the High Council in the Immortal City under Rome. Here, it is explained that the Shield knows “the final fate of Man“, and that their mission is to ensure nothing threatens the world before this occurs. A great premise and some seriously beautiful art by Dustin Weaver. I can’t wait to dig into this the next couple of weeks!
Art: 9.5               Writing: 8.5      Overall: 9

3. Spider Island : Cloak and Dagger #1 (Marvel comics)          
I’m not following this whole Spider Island thing, I’m not a big fan of Dan Slott’s Spider-man and something about this event just didn’t click with me. I picked this book up, because I’ve been a fan of Cloak and Dagger ever since the days of Maximum Carnage and had heard good things about it on the Ifanboy podcast. I loved how the characters of Tandi (Dagger) and Tyrone (Cloak) were juxtaposed by writer Nick Spencer. I thought that this was most effectively and entertainingly done in two caption boxes where both Cloak and Dagger describe the state of New York, when they first got around to doing some super heroics. Cloak: “Criminals ran the streets, preying on the innocent, poverty and hopelessness were everywhere, it was a den of filth, perversion and greed.Dagger: “Everything smelled like pee”.  Great stuff… Art duties where done by the talented Emma Rios who gave this book quite a distinctive look. I loved how she constantly drew Dagger surrounded by splotches of lights, while Cloak was followed by dark smudges everywhere. The only thing I didn’t like was the panel where Luke Cage seems to be wearing a plastic witch’s nose. The story was pretty standard, but executed very well. Cloak and Dagger are evaded from their church and get caught up in a fight between the Avengers and a bunch of Spider-men. Plus, we also learn that the near future holds some pretty dark stuff for Dagger…
A8.9       W8.4      O8.7

4. Captain America & Bucky #620 (Marvel comics)      
The short of it is: if you want to read a good Captain America book, read this and not the McNiven/Brubaker series. Sorry, but this is waaaaay better. The art is (as could be expected) knocked out of the park by Chris Samnee. This is basically an origin story for Bucky and Samnee has adequately tweaked his style to fit the era. The story shows James Barnes growing up at a military base with his father. Young Bucky is always getting into fights and his father discourages him to do so. When his father is unexpectedly killed in action Bucky stays on the base and is taken care of by Mayor Samson. With his father gone, he lets his mean streak out and is never far away from a bar fight. He becomes so adapt at fighting that he gets assigned to some super-special-training, to eventually (unbeknownst to him) become Cap’s partner. Sure, this summary of the story sounds a bit cliché, but the combination of superb art and great writing make this one hell of an entertaining story and I can’t wait for the rest of this series.
Art: 9              Written: 8.5   Overall: 8.7