I’ve had a good week. I’ve won a comic book (Gladstone’s School for World Conquerors #1), what’s better than free comics? Thanks to Freaking Awsome Network, Image comics and creators Mark Andrew Smith and Armand Villavert!!! This week reviews of Criminal and a whole lot of Marvel comics: SHIELD, Captain America & Bucky, Gladstone’s #4, Walking Dead, X-men etc…
1. Criminal. The Last of the Innocents #3(Icon)
The creative team of Ed Brubaker and Sean Phillips continues to amaze. I’ve been a fan of theirs since I first read Sleeper (published by Wildstorm). While I don’t enjoy Brubaker’s mainstream stuff nearly as much, mostly every work by Phillips is perfect as far as I am concerned. I think I’ve read the first three volumes of Criminal and lost interest somewhere along the way. This latest volume however (The Last of the Innocents), seems to have reinvigorated the series. It has certainly reinvigorated my interest in it.
The previous volumes of Criminal have been loosely interconnected continuity-wise. As far as I can tell though, The Last of the Innocents thus far stands alone. As I wrote in my review of the second issue, Criminal tells stories about characters making some morally reprehensible decisions. Case in point is Riley Richards, the main character in this story, in good noir storytelling fashion, we watch the story unfold though his eyes. In the first issue we came to know him as a successful urban banker. In his private life however, things have been looking down for a long time. His marriage is a joke, he knows his wife is cheating and he’s badly in dept to a loan shark. Additionally he has become estranged from his friends and family in his hometown Brookview. At the end of the first issue he devises a plan to ease his woes: kill his wife and pay his dept with her money. In the second issue, that’s exactly what he does, and in this issue we follow him on the day after the murder. As it turns out Riley is a conniving son of a bitch, who doesn’t shy away from killing his spouse or manipulating his best friends to obtain an alibi (even if this messes up the sobriety of his recovering junkie best friend). Although his plan was well thought out and executed perfectly, in this issue some cracks start to show and we also learn that his father-in-law is pointing a private detective at him, because he suspects Riley’s hiding something.
Not only is Ed Brubaker responsible for making Captain America cool, his most important qualities are his fascination with pulp noir stories (be prepared for some narration through caption boxes) and the sublime way he writes morally grey characters. This last asset is what the Criminal series revolves around. A fun little fact is that he has always wanted to write for Archie, and in this series every character is an analogue for an Archiecharacter.
If you are accustomed to Sean Phillips’ art style you’ll agree at how well it fits the dark, sometimes macabre, sometimes desperate stories that are told in this series. I wouldn’t do the artist any justice to compare him with others, because his style is both very unique and ever-changing. This has never been truer than in this volume of Criminal where the flashbacks are told in the wholesome style of the good old Archie comics. I don’t think I’ve seen Phillips flex these kind of muscles before, but he pulls it off wonderfully. As far as I can tell, Archie comics should add Sean Phillips to their stable of artists. This change of art style provides the story with some comedic relief, while also adding to the feeling of lost innocence as referred to, in the title of this series. It’s not just the dirty Archiepages that made this book my pick of the week though. The pages that tell the story of Riley in the here-and-now are amazing as well.
I was stunned by Phillips’ effective use of different types of body language and facial expressions. Especially in this story where the protagonist is lying through his teeth and (flat-out acting each time he’s in public), it’s a huge benefit that the artist is a master in facial expressions. The reader can clearly witness the different faces Riley puts on in different surroundings. I’m very curious to see how this story concludes.
Art: 9.5 Writing: 9.5 Overall: 9.5