1. Spider Island: Cloak and Dagger #2 (Marvel comics) 9.2
OMG Emma Rios draws the most disgusting spiders! And Nick Spencer is a genius writer: ‘You just unchain me here, and I’ll go ahead and make you look like the smartest man who ever got his nuts chopped off by a light dagger.’ Dagger has some attitude, I love it! Plus, smart writing (Spencer reminds me of my lessons in history), and Cloak and Dagger have never looked better. This was fucking awesome, it makes me want to curse, it was so good!
2. The Authority. Book 1: Relentless (tpb) (Wildstorm) 8.9
This, back in 2000, was what got me balls deep into comics. I was always reading X-men, but after the Grant Morrison run, my devotion of the comic book medium was wavering a bit. This series was the first thing to point me away from the stereotypical, mainstream comic books about capes and tights. But it’s not just from my personal reading experience that I think this is a majorly important comic book. Just like Miracle Man and Watchmen, this was one of those steps in deconstructing superheroes. In this case by showing a group of heroes who are pro-active about changing the world and a bit more radical than your average superhero. I think this is my favorite series of Warren Ellis written superhero stories, and the first time that artist Brian Hitch stepped up his game, to look as good as it gets.
3. Severed #3 (Image comics) 8.9
On the first page of this excellent horror story set in the 1920’s, it suddenly struck me that Attila Futaki’s art reminds me of Windsor McKay’s art on the Little Nemo newspaper strip. This story is crafted extremely well, with the first couple of pages of the first issue showing a flash forward of the main character as an old man who’s missing an arm. Throughout the rest of the series where we follow him as a twelve-year-old, you are waiting for this boy to get his arm chopped of around every corner. Brilliant stuff, genuienly creepy. This is horror at it’s very best.
4. Spontaneous #4 (Oni press) 8.8
The plot about a mysterious string of spontaneous combustions stays very… …mysterious. However, this issue things take a turn as we learn that the cause of everything that´s going on lies closer to the main characters then they´d ever imagined. Once again beautifully drawn and very humanly written.
5. X-men Regenisis (Marvel comics) 7.8
This issue explains how the X-men get divided between the newly formed school of Wolverine in Westchester and the Cyclops led militarized mutant enclave of Utopia. I was shocked and perhaps a bit disappointed by Storm staying in Utopia, and shocked yet pleasantly surprised to see Emma heading for Westchester. …and then disappointed again by her staying.
6. Action Comics #2 (DC comics) 7.5
The art looks rushed and badly inked. From the backup material, it becomes clear that it’s mostly the inks that are to blame. Because the pencils by Rags Morales look great. Otherwise a perfectly likable story of a vulnerable Superman and Lex Luthor who may be manipulated by a greater force.
7. Spider-Island Spider-Woman (Marvel comics) 7.4
Pretty solid art by Giusupe Gamuncoli, combined with a story by Fred Van Lente that very effectively portrays Jessica Drew as the insecure heroine that we have gotten to know over the years. In this one-shot she has to rescue Alicia Masters, the Thing’s blind girlfriend. Reed Richards wants Master’s blood to contain the basis for an antidote for what’s happening with the whole Spider-Island thing. In the course of the issue, of course she has to face down with the Thing and also, The Gypsy Moth?
8. The Authority. Book 3: Earth Inferno and other stories (tpb) (Wildstorm) 7.4
The cover of this trade credits Frank Quietly as artist before Chris Weston, inside however, the first half of the Earth Inferno story arc is drawn by Weston. This isn’t necessarily a bad thing but, when you expect Quietly art, Weston is a bit of a letdown. I understand however, that this was the era that this title met a lot of misfortune. Still, I’d like the publisher to be more honest about the insides. Fun little book where writer Mark Millar explores the characters a bit more than his predecessor. Which doesn’t mean the scale of the action is less, this arc sees Earth trying to expunge all life. This also has two nice little one and done stories I had never read before!