Tag Archives: John Layman

Quick shots for week 32: Chewing on some Detective comics while spontaneously shooting my Sixth Gun at some Marvel comics

5. Chew #11-15 (Just desserts) (Image comics)                                                   8.4
Slowly, but surely I’m getting up to date on this series. These five issues, were all very good, but I have some problems with the story format. This did not feel like a five issue story, more like a one issue story, followed by a three issue story and then another one and done issue. That’s why I was a bit disappointed by issue 15. I was hoping for plots to be resolved, but none were and only more questions arose. Really original story telling though, I don’t think there is anything like this on the stands.
6. Spontaneous #2 (Oni press)                                                                                       8.4
Line of the week? “Erin Brokovich didn’t just go after a book deal, Melvin. And she didn’t fight the power just to get Julia an Oscar. Sometimes we need to put the public good first.”   The story is moved in a different direction as the reporter girl starts piecing together the puzzle connecting so many people in the town of Bayville who have spontaneously combusted. The character of Melvin is also explored some more, and we get to learn a little more of what happened on the day his father died and what role he might have played in this tragic happening.
7. Marvel Universe vs. Wolverine #2 (Marvel comics)                                  8.3
This book is filled with things I didn’t ever expect to see: Magneto and Electro exploding into an EMP, the Punisher shooting the Beast’s head off, Willie Lumpkin’s head on a spike… Really very entertaining, the art has even improved since last issue, this really feels like it could be a big event book. Only problem is the Thing being a zombie pimp, didn’t we also see that in Marvel Zombies?
8. The Sixth Gun #13 (Oni Press)                                                                                      8
Shit, when I got the last page and discovered that this was the second issue of the current story arc I found out I’ve missed an issue, which may have left a mark on my reading experience (it sure does explain a lot!) Will be picking up issue 12 soon, I’ll reread this one then too, maybe it’s score higher next time? Becky and Sinclair fight of a hoard of monsters coming for the remains of general Hume, the good guys win at a great price…
9. Detective comics #881 (DC comics)                                                                          8
Seamless transformation from Francevilla to Jock. Very different styles, but I did not notice the change until al whole lot of pages had gone by already. Since this is the last issue before the reboot and it involves Barbara Gordon aka Oracle (aka soon to be Batgirl) being kidnapped and tortured by her stepbrother, the stakes were high. At one point I really thought they were gonna kill her. They didn’t and the story was neatly wrapped up. Nice ending, I wish this run could have lasted longer.
10 .New Avengers #15 (Marvel comics)                                                                     7.8
Great to see Squirrel Girl in action, kicking Logan’s ass, Bendis writes her really good and believable. I like Deodato, but the last pages really didn’t click with me… Oh, and is he capable of drawing woman that aren’t smoking hot? I mean Squirrel girl never looked particularly attractive right?
11. Ultimate Fallout #4 (Marvel comics)                                                                   7.5
Solid art and stories, finally digging into the Ultimate Origins miniseries, interesting to find out Reed Richards is still alive and maybe not bad to the bone (or deranged?) and of course the black Spider-man who comes to the conclusion, that his costume is in bad taste. Better art then the last couple of issues and the stories have some more meat to them.
12. Fear Itself #5 (Marvel comics)                       only because of the great art: 7
What an odd coupling, this great, great art and this clumsy writing. I appreciate the way that this is going back to the old, wacky, silver age stories, and I give credit for the way the villain’s castle comes down over DC and stuff. That’s really reminiscent of the classic stuff by Stan and Jack, otherwise my disappointments in this series continue strongly. The character voices are mostly off, the story jumps around so much it becomes unclear what’s happening a lot of the time, furthermore there are plot elements introduced that aren’t explained. For instance you don’t get the significance of Cap yelling to the Avengers “Don’t let the hammers hit…” What: Each other? The ground? You? I don’t know, the turnaround page shows that whatever is hit, caused a big explosion. The panel before doesn’t make clear that the hammers are going to hit anything in particular. Oh, and the Thing is turned back to normal by Franklin Richards (who suddenly and conveniently appears on the scene), couldn’t he have thought of that earlier?
13. FF #7 (Marvel comics)                                                                                          6.9
Black Bolt gets his pimp on. I’m not digging the art. Story was just fine. (I know, sometimes ‘review’ is a very big word…)
14. X-men Legacy #252 (Marvel comics)                                                      6.7
Finally Magneto’s change of heart gets explored (if only a little…) It’s weird that Parisians are begging for their lives in English, yet Gambit keeps barfing out French one-liners… This wasn’t terribly exciting, the story of Legion’s escaped persona’s continues and feels very formulaic. This is certainly not the highpoint in Mike Carey’s X-men run.

Advertisements

Book of the week 30: Chew 9 (and 10)

Yeah, my pick this week is old… Screw all that day-and-date shit, good comics are forever. They are all I need to please me, They can stimulate and tease me, They won’t leave in the night, I’ve no fear that they might desert me. Good comics are forever, Hold one up and then caress it, Touch it, stroke it and undress it, I can see every part, Nothing hides in the heart to hurt me…

Aaaaaaanyway, I resumed reading Chew this week and it blew me away:

Book of the week 30: Chew 9 (and 10) (Image comics)

Dear misters Layman and Guillory,

Thank you for the joy that is Chew. That was the most important thing I wanted to tell you. I got the first Chew trade for Christmas last year and really enjoyed it. While I moved on to single issues after that, I somehow never got past issue 8, despite the fact that I was loving the crap out of your series. After your winning of the Eisner for best continuing series last week (congratulations!), I decided to resume the reading of your series. Since there were a lot of other good comics I wanted to read this week (for reviews of which you have but to look below) I only read issue 9 and 10, finishing the second story arc ‘International Flavor’. These two issues though where the cream of my crop.

What I have wondered since the first issue of your series is whether or not your protagonist Tony Chew’s affliction of being a cibopathic is real? In the first issue you introduced the notion of someone gaining the experiences of whatever he or she eats. You have introduced this concept so convincingly that I started to look into it. While I think cibophatogy (or is it cibophathy?) is a fantastic gimmick to use in a story about police work, I have not been able to find any information on these cibophats. Strangely every google hit refers to sites about your series. This drives me banana’s!

I thought the mere use of cibopathics in your series was unique enough, but during the reading of the first trade I already realized you did not have all your eggs in one basket, and that virtually anything can happen in this book. This sets your title apart from many other currently published books, you really don’t know what twists and turns the story will take next. A good example of your unique characters is the mute chef, who can only communicate through cooking. You describe him as following: “A scholar and classicist, he has translated the complete works of Shakespeare into cuisine.” I understand that explaining the genial, surreal madness of this will not make it funnier, so let’s just leave it at that.

Praise however should not be exclusively reserved for the story itself, the way the story is told is also exquisite. You seem to refine the rules of the medium by such inventions as a page with three subsequent (and through caption boxes thusly addressed) cliffhangers.

Rob Guillory art from Chew 9 (Image comics).

Rob Guillory art from Chew 9 (Image comics).

And what about the art? While at first it may be estimated as ‘merely’ cartoony, upon further investigation it proves to be top notch cartooning in a most expressive way. Mister Guillory gets across emotions in his pencils as well as humor, drama and kick ass action scenes. From the last category I would like to point out the spread of Chew kicking in a door, gun ready, screaming: “Sheathe the fangs, motherfucker.

Rob Guillory art from Chew 10 (Image comics).

Rob Guillory art from Chew 10 (Image comics).

Issue 9 and 10 close out the arc where Tony investigates a small island nation that seems to have found the way around the worldwide chicken prohibition. His research however leads him to a conspiracy revolving around international chefs, chicken substitutes, a fighting cock and vampires. All the while he falls in love and his partner seems to be giving up his ass to cover for Chew? I hope we get to read some more about that…

To make a long story short: Thanks for the great comicbooking and congratulations on the Eisner. I’m looking forward to reading the rest of your series and hope it keeps selling like hot cakes.

With kind regards,

Gerard van der Waal
1. Chew #9
Art: 9     Writing: 9,5         Overall: 9.3
2. Chew #10
Art: 9     Writing: 8,5         Overall: 8.8