Tag Archives: Kyle Higgins

Runner ups for week 35: Flashpoint 5, The Outsider and Gates of Gotham

3. Flashpoint #5 (DC comics)
Holy shit, was I giddy for this mini-series and this final issue in particular. I can’t remember the last time I was so excited by a mainstream superhero comic. Yeehah! Some background for the casual comic reader: This September publisher DC comics of Batman and Superman fame has stopped all of their series and will start out with 52 new ones, that all start from scratch. It looks like they are throwing away all the previous continuity and introducing the characters in new and exciting ways. In the previous months, it slowly became clear that their blockbuster summer event title Flashpoint would somehow be the catalyst for all the changes that were to come. And that is why I was so excited for this issue, this conclusion forms the creative explanation for what the hell DC is doing! In this issue we learn that one of the heroes is actually responsible for changing the time stream and causing a ripple effect that alters reality into that of Flashpoint. Because this reality is whack like crack he eventually undo’s his actions. However he is not capable of putting things back exactly as they were and that allows for all the stuff DC is doing in their 52 new number ones. I loved this very much, Kubert’s art was a little inconsistent but otherwise this book, in my opinion is the best event series since Marvel’s Civil War. Some quick remarks:
*There’s a great big fight in this issue, but sadly we don’t see much of it.
*There used to be 52 alternate realities in the DC mythology, why did only three get mixed into the new status quo? What about the other timelines?
* How do the time stream alternations make everyone in the new DC younger?
*Congratulations to DC for a very entertaining and hopefully successful transition!
Art: 7.5           Writing: 9       Overall: 8.2

4-5. Flashpoint. The Outsider #2 & #3 (DC comics)
If you just can’t get enough of the world of Flashpoint than the Outsider is a series you should really pick up. Strong writing by James Robinson and solid art by Javi Fernandez make for one hell of a read that will hold up even if you don’t care for Flashpoint at al. Basically it’s the story of an Indian anti-hero/villain/industrialist/millionaire who uses his superpowers to get what he wants. He’s pretty ruthless, is involved with the resistance against Aquaman and Wonder Woman out of business principles and is targeted by either one of those warring parties. This series mainly revolves around the Outsider figuring out who wants him dead and then trying to stay one step ahead of them. If you want cool visuals, this book’s got it: from a fantastic redesign of Martian Manhunter, to a 1970’s Calcutta ligthsaber gang war; newcomer Javi Fernandez makes this book look stellar. In the second issue the art took a small dip, but was still very good, the final issue rocked hard again. Also, this book makes a cool little nod to old DC continuity where there are 52 multiple alternate earths in different timelines, the Outsider has dimension hopping technology and weaponizes it in the third issue. Both issues got 8’s all around.
Art: 8              Writing: 8       Overall: 8

6.  Batman. Gates of Gotham #5 (DC Comics)
Aaaaaaaand the awesome sauce that is Trevor McCarthy returns to grace the pages with his artwork once more. I love this guy’s art so freaking much: from the creases and folds in the cowls, to the architecture and the perfect usage of toner dots. I’m seriously looking at this guy’s earlier stuff. This final issue was a lot better than the last one, both on the writing (Scott Snyder is back on board with this one) and on the art. I can’t believe how many people have been involved with this miniseries, (story-wise three, art-wise, art and layouts four, I believe). This series wraps up pretty good (and much better than I had anticipated after last issue), and was successful in that it provided an entertaining story, introduced a great new villain, delved more into the relations between the different Bat family members and offered a little resolve concerning the changes that are coming with the DC line-wide reboot.
Art: 8              Writing: 8       Overall: 8

My pick of the week will be online tomorrow, if anybody cares.

Advertisements

Book of week 28: Batman. Gates of Gotham #2

A light week (at least for reading comics) this week. In between my work, school, internship and some family business I managed to read 12 comics this week. Most of them recentish and three of them from this week. I tried a kid friendly book which amazed me, a biographical comic which disappointed me to no end and a major event epilogue which I didn’t give a toss about.

Book of the Week 28: Batman. Gates of Gotham #2

Gates of Gotham 2

The beautifull cover of Gates of Gotham #2 by Kyle Higgins

In this five issue mini-series by Scott Snyder and Kyle Higgens, Gotham is faced with a threat from the past. Which is great for readers interested in both the history, geography and architecture of comic books oldest fictional city. In the first issue three bombs went off at the three most important bridges of Gotham. Consequently the whole Gotham-based Bat family works together to find out who is targeting Gotham and why. After a little research Tim Drake aka Red Robin finds out the connection between the bridges: in the eighteenth century they were all built by the same engineers in commission of three men, the ancestors of Bruce Wayne, Oswald Cobblepot and Thomas Elliot. For those in the know of course, these are the civilian identities of Batman and his enemies the Penguin and Hush. This issue continues the Bat team’s investigation as Damian and Cassandra Cain stake out the Penguin’s hideout and Dick Greyson (the local Batman when Bruce isn’t around) goes after Hush. But as it turns out their mysterious adversaries are one step ahead of them and weren’t nearly done blowing stuff up.

Just like the first issue, the story keeps switching between the current story of the Bat family trying to find the bridge bomber and flashbacks to the eighteenth century. Last issue’s flashbacks showed the commissioning and building of the bridges, while this one goes into the origin of the new adversary who turns out to be not one but two bad guys, namely The Gates of Gotham. This has to be one of the most inventive origins I have read in a long while and the way it’s told through the flashbacks also shows signs of true craftsmanship.

One of the strengths of this book is the way Snyder handles the relationships between the various heroes and heroines that revolve around Bruce Wayne. While relationships are a vital part of the current storyline he is writing in Detective Comics, Gates of Gotham provides the author with a vehicle to work with a bigger ensemble of very diverse characters. And he really pulls it off well. Each of the characters has a unique personality and Snyder leaves enough room in the story for dialogues that showcase some of the characters’ emotions. Especially the intense banter between Damian and Cassandra is effective and shows Damian’s insecurities when faced with someone who (just as he) could have one day led the league of assassins, but now finds herself working for the other side.

However it is not just the writing that made this book my pick of the week, that Kyle Higgins sure can draw. I’m not sure if I have seen his work before, but he really is pulling it all out on this series. His artistry is most easily evident at the breaks between the flashbacks and the current story where sepia toned scenes of a brightly optimistic Gotham make way for the harsh, dark grit of a modern day Gotham crime scene. Both in the present and in the flashbacks Higgens uses a lot of dots for a cool retro yet edgy effect, while both on the covers and in the flashbacks he gently shows some Art Deco inspirations. It really is gorgeous to look at.

This book left me with one minor irk: On the third story page the second panel seems to be missing a name. It is just blanked out. The caption box in the same panel explains which name it is, but I was wondering if this blanking out was done accidently or on purpose. In the last case I really don’t understand why they’d do that. But you know what? We’ve got Twitter, why not ask the creator himself?
Art: 8,5 Writing: 8            Overall: 8,3

08/29/11 Update: Last week I learned about DM’s in twitter. I was pleasantly surprised to find a reply from Scott Snyder, stating that it was indeed a typo. I understand that we’re all human and prone to make mistakes. However, I’d say that big publishers like Marvel and DC have enough editorial staff looking at these things that such errors should be caught before publication… Here’s to hoping it will be corrected in the collected edition.