6. Mystery men #3 8
The cast is expanded with two more original pulp heroes, the Surgeon and Achilles. I especially enjoyed the origin of the Surgeon which was lean and short (just like golden age origins should be), maybe a bit contrived but told trough the tropes of pulp/noir genres it worked excellent. The artwork was a feast for the eyes once more. The creative team of Zircher andLiss keeps delivering masterful products.
7. Detective Comics #880 8
This one has the ultimate cliffhanger, plus a great setup of bait and switch… Good art, though I’m not very keen on Jocks Joker (except on the cover). Story: The Joker has escaped from Arkham, taking the spotlight off from James Gordon jr. who uses the opportunity to settle some old family business.
8. Super Dinosaur #3 7.9
A Tyrannosaurus Rex in mech gear on ski’s, in a basketball outfit and a jet plane outfit, what’s not to like? But this all ages book delivers more than cool gimmicks. Great art by Jason Howard, especially the full-page spreads were exquisite this time. The writing was fine but it’s the crazy big ideas (villain hq on top of a giant amphibious dinosaur, for instance) that are Kirkman’s biggest asset to this title.
9. League of Extraordinary Gentlemen: Century. 1969 7.8
This is written upon my first reading, I will probably enjoy it more after a second reading, which normally isn’t a problem, but it felt like a chore getting through this one. And admittedly I haven’t even started on the back matter yet. It wasn’t bad, it just wasn’t hat exceptionally good as the first issue in my opinion. There wasn’t a ton of action or anything to move the story along, a lot of character moments though… I liked the thinly veiled reference to the Stones and their sixties flirt with Satanism (the Mick Jagger analogue is a vessel for the transference of a black magician’s soul), I also like the way it portrayed the 60’s with drugs and naked chicks and even more naked guys around every corner. (Seriously if you object to seeing male genitalia stay away from this one.) I appreciated the art from a technical standpoint, I personally just don’t really like Kevin O’Neill’s style and in this issue the ’60’s art style didn’t work for me at al. I liked the dark, sketchy style in the 1977 epilogue much better. All in all, a bit of a letdown, beforehand I had expected that this would be my book of the week and maybe score a 10, at least in writing… It’s easy to keep in mind that this is but the middle act of a thee acter and that I’ve never disliked any of Allan Moore’s works.
10. FF #5 7.5
Good art by Barry Kitson, but it feels a little like a poor man’s version of Dale Eaglesham (the artist on the first couple of issues). Kitson is a great artist, don’t get me wrong. I’ve seen him in action at a con. But certain panels just look a little ‘off’ . My favorite panel from this issue was the Thing holding a tiny tea-cup. Kitson get’s across a sense of proportion, which makes you wonder how Ben is holding the cup. The writing by Hickman is great. I especially enjoyed Susan being mad at Reed, something I can never get enough of. The best part of this book was the heart wrenching confession of Ben to his girl Alicia, that he feels guilty for taking the wonder serum which resulted in a great night with Alicia but also in Johnny’s Death…
11. Kirby Genesis #2 7.5
Solid art on by Jack Herbert and a little Alex Ross. However, almost straight out of the gates the story comes to a halt for a horrible and sudden breaking of the fourth wall. Ugh… Otherwise this book is utterly entertaining. It combines great visuals with a story that might be a bit cliché, yet both writing and art harkens back to the days of Kirby and comics that were fun, fun, fun! This issue contains a great spread of Kirby’s Sasquatch and a lot of Kirby’s character design’s that work remarkably well in the modern-day and age…
12. FF #6 7.5
I love this story for the big mythology that Hickman has built around the Inhumans and the Kree. The art was a total 360 from all the previous issues but it worked really well. This story explains why there are ‘alternative Inhuman’ or Kree strains and it does so very well and entertaining, the only problem is that it doesn’t really get to the point of how this plays into last issue where we see the return of king Blackbolt. Yes, we see Blackbolt awakening somewhere in ‘the rift’, but it doesn’t explain how he returns to the Inhumans. That’s a part of the story that should have been included in this issue.
13. Rocketeer Adventures #2 7.3
I’m getting a bit tired of creator rights being referenced everywhere, I understand that a lot of the deals with big companies are unfair, and it’s a good cause for action, but stop filling our stories with them! It’s not like Kirby or Ditko are actually going to get richer over it… Otherwise fun stories and great art…
14. Flashpoint: Abin Sur #2 6.8
A great artist (which one?) begins and ends the book, the middle though is not very good. The story is not particularly strong, though sequentially it works fine. While not very special (or surprising) it tells the story of Abin Sur crash landing on earth and surviving, where after he joins Cyborg’s group of heroes. It ends with someone close to him attacking him to fulfill the flashpoint prophecy and change reality in his own way.
15. Flashpoint: Frankenstein and the Creatures of the Unknown #2 6.5
Started out strong with art by Ibrahim Robertson, but halfway through we get rushed looking art by Alex Massaci which was really jarring. The story is an entertaining one of the monsters on a road trip, while they’re being followed by general Lane’s monster hunters. Nothing really special about this, but good storytelling and dialogues.
When a book by Allan Moore ends up nr. 9 on your list, it means you’ve read a lot of great books!