Tag Archives: Mystery Men

Quick Shots for week 30: a league of mystery men and dinosaurs

6. Mystery men #3                                                                                     8
The cast is expanded with two more original pulp heroes, the Surgeon and Achilles. I especially enjoyed the origin of the Surgeon which was lean and short (just like golden age origins should be), maybe a bit contrived but told trough the tropes of pulp/noir genres it worked excellent. The artwork was a feast for the eyes once more. The creative team of Zircher andLiss keeps delivering masterful products.
7. Detective Comics #880                                                                         8
This one has the ultimate cliffhanger, plus a great setup of bait and switch… Good art, though I’m not very keen on Jocks Joker (except on the cover). Story: The Joker has escaped from Arkham, taking the spotlight off from James Gordon jr. who uses the opportunity to settle some old family business.
8. Super Dinosaur #3                                                                             7.9
A Tyrannosaurus Rex in mech gear on ski’s, in a basketball outfit and a jet plane outfit, what’s not to like? But this all ages book delivers more than cool gimmicks. Great art by Jason Howard, especially the full-page spreads were exquisite this time. The writing was fine but it’s the crazy big ideas (villain hq on top of a giant amphibious dinosaur, for instance) that are Kirkman’s biggest asset to this title.
9. League of Extraordinary Gentlemen: Century. 1969                 7.8
This is written upon my first reading, I will probably enjoy it more after a second reading, which normally isn’t a problem, but it felt like a chore getting through this one. And admittedly I haven’t even started on the back matter yet.  It wasn’t bad, it just wasn’t hat exceptionally good as the first issue in my opinion.  There wasn’t a ton of action or anything to move the story along, a lot of character moments though…  I liked the thinly veiled reference to the Stones and their sixties flirt with Satanism (the Mick Jagger  analogue is a vessel  for the transference of a black magician’s soul), I also like the way it portrayed the 60’s with drugs and naked chicks and even more naked guys around every corner. (Seriously if you object to seeing male genitalia stay away from this one.) I appreciated the art from a technical standpoint, I personally just don’t really like Kevin O’Neill’s style and in this issue the ’60’s art style didn’t work for me at al. I liked the dark, sketchy style in the 1977 epilogue much better. All in all, a bit of a letdown, beforehand I had expected that this would be my book of the week and maybe score a 10, at least in writing… It’s easy to keep in mind that this is but the middle act of a thee acter and that I’ve never disliked any of Allan Moore’s works.
10. FF #5                                                                                                    7.5
Good art by Barry Kitson, but it feels a little like a poor man’s version of Dale Eaglesham (the artist on the first couple of issues). Kitson is a great artist, don’t get me wrong. I’ve seen him in action at a con. But certain panels just look a little ‘off’ . My favorite panel from this issue was the Thing holding a tiny tea-cup. Kitson get’s across a sense of proportion, which makes you wonder how Ben is holding the cup. The writing by Hickman is great. I especially enjoyed Susan being mad at Reed, something I can never get enough of. The best part of this book was the heart wrenching confession of Ben to his girl Alicia, that he feels guilty for taking the wonder serum which resulted in a great night with Alicia but also in Johnny’s Death…
11. Kirby Genesis #2                                                                                7.5
Solid art on by Jack Herbert and a little Alex Ross. However, almost straight out of the gates the story comes to a halt for a horrible and sudden breaking of the fourth wall. Ugh… Otherwise this book is utterly entertaining. It combines great visuals with a story that might be a bit cliché, yet both writing and art harkens back to the days of Kirby and comics that were fun, fun, fun! This issue contains a great spread of Kirby’s Sasquatch and a lot of Kirby’s character design’s that work remarkably well in the modern-day and age…
12. FF #6                                                                                                    7.5
I love this story for the big mythology that Hickman has built around the Inhumans and the Kree. The art was a total 360 from all the previous issues but it worked really well. This story explains why there are ‘alternative Inhuman’ or Kree strains and it does so very well and entertaining, the only problem is that it doesn’t really get to the point of how this plays into last issue where we see the return of king Blackbolt. Yes, we see Blackbolt awakening somewhere in ‘the rift’, but it doesn’t explain how he returns to the Inhumans. That’s a part of the story that should have been included in this issue.
13. Rocketeer Adventures #2                                                                7.3
I’m getting a bit tired of creator rights being referenced everywhere, I understand that a lot of the deals with big companies are unfair, and it’s a good cause for action, but stop filling our stories with them! It’s not like Kirby or Ditko are actually going to get richer over it… Otherwise fun stories and great art…
14. Flashpoint: Abin Sur #2                                                                  6.8
A great artist (which one?) begins and ends the book, the middle though is not very good. The story is not particularly strong, though sequentially it works fine. While not very special (or surprising) it tells the story of Abin Sur crash landing on earth and surviving, where after he joins Cyborg’s group of heroes. It ends with someone close to him attacking him to fulfill the flashpoint prophecy and change reality in his own way.
15. Flashpoint: Frankenstein and the Creatures of the Unknown #2 6.5
Started out strong with art by Ibrahim Robertson, but halfway through we get rushed looking art by Alex Massaci which was really jarring. The story is an entertaining one of the monsters on a road trip, while they’re being followed by general Lane’s monster hunters. Nothing really special about this, but good storytelling and dialogues.

When a book by Allan Moore ends up nr. 9 on your list, it means you’ve read a lot of great books!

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Runners up week 28: Xombie 4, Mystery Men 2, X-men Schism 1

2. Xombie #4

Frasier Irving's cover to DC's Xombie #4

Frasier Irving's cover to DC's Xombie #4

The current volume of this DC series is the only one I have ever read. Beyond these four issues I have no inkling about this character. But I am loving the hell out of this. This fourth issue has a very striking cover with an image of a giant skull with a fortress on top of it, flying through the clouds. I thought the image was somehow symbolic for what happens in the issue, but as it turns out, the skull fortress is actually a mayor plot point. That’s one of the great things about this series, big and high concepts visualized through gorgeous art and told through near flawless storytelling. While the first three issues had many great action scenes and a high whacky-ideas-per-page-ratio, this one dials down the action to make place for exposition. While the number of big idea takes a drop, the size of them are still pretty fugging huge. Still, that’s one of the reasons this issue was slightly less good (yet still great) compared to the three issues before. The art however is so great I’d eat it up even if it was an issue long conversation between two characters in the same room…
Art: 9     Writing: 7            Overall: 8

3. Mystery Men #2
While I have never really been into the pulp heroes of the early twentieth century, this book  keeps me really enthralled. The story revolves around two masked heroes, the Operative and the Revenant that seem to be placed into Marvels history during the nineteen thirties. Both men are researching the murder of a Broadway actress, to at least one of them the investigation is very personal, for the victim was his lover and the culprit, as is revealed in this issue, has a personal connection too. I have not read any other works by writer David Liss but I would easily believe that this is not his first work in the pulp hero genre. The pulpy noir atmosphere complemented with rich historic details really gives this book a unique feel. The series artist Patrick Zircher adds to this with his moody art style that I can best describe as a blending of Gabriel Hardman and John Cassaday. This guy really has a knack for intense and dynamic action scenes, both though page layout as well as his spectacular panel compositions.
Art: 8.5  Writing: 7            Overall: 7.8

4. X-men Schism #1
At the core of my comic book reading habit I admittedly am a X-fan. After my first Teenage Mutant Ninja Turtle comics it was the X-men that got me hooked on comics. And while my tastes since then have more and more deviated to other heroes, other genres and even other publishers I will always be curious as to the status quo of the X-men. After having left the books for some time, I have been fully onboard again for some time now. And the idea of a good old fashioned brawl between different factions of the X-men has me giddy, just like the good old days! So at least to me, this mini-series provides a very interesting concept. While all the hype is focusing on Wolverine versus Cyclops, near the end of this issue it seems that the classic friction between Storm and Cyclops will be the catalyst for the upcoming schism. I had expected more of the art and liked Pacheco’s .1 issue from a couple of weeks ago much better. Though I can see that this version of his style is more compatible with his followers on this series Frank Cho and Daniel Acuna. The story? One mutant pisses of all of the world’s leaders and does so in the name of all mutants. In reaction anti mutant hostility rises to an all-time high, which is why Cyclops gets ready for war, while Storm argues for a more peaceful approach. It’s told quite effectively and really plays on the emotions on the various characters and their relationships to one another.
Art: 7.8 Writing: 7.8        Overall: 7.8