Tag Archives: Villavert

More quick reviews: Walking Dead 90, X-reboot and a bunch more Image titles

As I’m busy once again I bring my reviews once more in a shorter form. I had a good week with the X-men relaunch and a bunch of Image comics. Enjoy:

 

1. Walking Dead #90 (Image comics)                                                                         8.8
Lots of character development, as some characters grow decidedly more towards each other (Rick and Andrea sitting in a tree, K-I-S-S-I-N-G…) and Rick and his son Carl finally have a good moment to express their feelings, while the guns-ablaze cliffhanger from last issue is diffused by… …words. Plus, Rick likes to kill people, it’s just easier than having to face people in an argument.

 

2. Wolverine and the X-men #1 (Marvel comics)                                               8.7
I see Doop! I see little Nightcrawlers (OMG they are BAMFS!!!), and prof X!!! OMG the whole school is a Danger Room! Not too keen on this latest version of Chris Bachalo’s art. But this was the most fun I’ve had with X-men in a great long while. And it’s also funny that it seems to me that when the rest of the Marvel Universe is interesting, the X-titles suck, and when the X-titles are great, I couldn’t give a damn about the rest of the 616 Marvel Universe (which is clearly presently the case).

3. Uncanny X-men #1 (Marvel comics)                                                                      8.7
This is some of superstar artist Carlos Pacheco’s best work since his return to Marvel. CyclopsX-men are ready and looking for a fight. If that weren’t enough Mr. Sinister activates the San Francisco Sleeping Celestial and flies of in its head, to start… …Sinister town? Great funny bits between Namor and Emma Frost! And I love Storm as the moral heart of the team, asking who in this team has never been known primarily as a super villain (and only her Hope Summers and Cyclops raising their hands).

4. Gladstone’s School For World Conquerors #6 (Image comics)        8.6
Holy shit, this was the best issue of this series so far. While the art was a bit inconsistent (especially the rendition of the adult adversary), in the story all the plot threads that got dangled in front of the reader earlier in the series get masterfully pulled together and the story reaches a dramatic crescendo as the kids lose some of their innocence and learn that the fights between superheroes and villains are staged.

5. La mano de destino #1 (Castle and Key Publications)                                  8.5
Great little first issue of a six issue miniseries about a Luchador (a masked Mexican wrestler) who’s working his way up the ranks to exact revenge on the ringmaster… Great, exciting Kirby-like art made to look very vintage!

6. Northlanders #45 (Vertigo)                                                                                        8.5
The Icelandic Trilogy continues, with the second chapter being drawn by Declan Shalvey. I don’t think I have to say anything other than that. GO BUY IT!!!
7. Chew #17 (Image comics)                                                                                               8.5
A food fight gone horribly wrong, even more strange food powers and Chew’s partner Colby is a dick. I’m loving it!

8. Northlanders #44 (Vertigo)                                                                                            8
The story about the founding fathers of Iceland continues with an account of feuding families. This is such smart writing, it’s amazing. I really admire Brian Wood´s ability to write perfectly believable human emotion in a big story of historical events.

9. Ultimates #3 (Marvel comics)                                                                                        8
I wish they would have given the artist (Essad Ribic) more time on this, some pages are deep-fried comic book gold, while others look rushed and even unfinished. In this Nick Fury, Thor and the rest of the Ultimates get their asses handed to them some more and ultimately Thor goes on a suicide mission.

 

10. Chew #16 (Image comics)                                                                                                8
Chuckles abound as the strange writings in the sky draw attention off of the chicken prohibition and onto UFO research and Layman introduces us to another culinary gifted character, a voresophic, which gets really smart as long as he’s eating.

11. Uncanny X-men #544 (Marvel comics)                                                                 8
Good little ending, accentuating that Cyclops X-men will be something (or already are) something completely different then the good old X-men of yesteryear.

12. Pigs #2 (Image comics)                                                                                                  7.5
I´m not digging the art, it’s a bit too crude and empty for my tastes (it could have used some more details and refinement). On the other side, I am very much digging the story (about a Cuban-Soviet sleeper cell that was recently activated to execute their 1950’s protocol to assassinate the U.S. president). It’s the most interesting plot I’ve read in a long time. I loved the pages of the familia visiting the White Russian and inviting him to pick up arms and execute his part of the protocol. The sequence featured terribly tense dialogues, which clearly showed the different concerns of the parties (The White Russian having all but forgotten his original mission and trying to protect his family and the life that he has built up in the U.S. over the years really doesn’t want to join his Cuban buddies in their plans).

13. Extinction Seed #0 (GG Studio)                                                                             7.2
I have no idea what this was about, one part was set in the 1960´s, in another they were using laptops. Some characters are doing mysterious stuff in Berlin, coincidentally (or not?) another is heading for Berlin (and posing in bath all sexy), then there are two sexy girls tickling each other in a park while they are being observed. Oh, and a journalist (I guess) was writing about meteors. I guess this is supposed to be teasing, but to me it was confusing and incoherent. The art is good, high on the cheese cake, but a bit inconsistent in the linework. Now the coloring (by Alessia Nocera) however was fucking magnificent!

14. The Vault #2 (Image comics)                                                                                   6.5
The art in this is okay, although the facial expressions could have been much stronger. This issue has some clumsy, stiff and over-explanatory dialogues as the crew of explorers discuss whether or not to open their new mysterious archeological find (a sarcophagus with what looks like a vampire skeleton in it). What´s basically a great, original concept that could work in any storytelling medium is rendered impotent by horrible dialogues and the lack of any logic in the choices the characters make. In the end, the expressionless faces of the characters stand in the way of any of the drama and action coming across to the reader. On the positive side, the writing brings across a lot of atmosphere and the plot of this series is very thrilling.

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Runners up for week 38: Criminal. Last of the innocents 4, Gladstone’s 5, Ultimate comics Spidey 1

2. Criminal. The last of the innocents #4 (Icon)criminal last of thew innocents 4 cover
Aaaaaaaaaaaaaaaaaaaaand Despicable Airlines keeps on flying. With captain Riley Richards at the helm, you will be sure to get whatever you desire and don’t have to worry about the repercussions for your loved ones. As we like to say here at Despicable Airlines: ‘No one ever got rich over their scruples, so let them fly!’

In this final issue we learn whether or not Riley Richards gets away with killing his wife and manipulating everyone close to him over some money issues. If you thought Riley had made some dire decisions in the previous issues, you’ll be astounded at things he is willing to do in this issue. The art, by Sean Philips, starts out a bit worse than it has been in the rest of this series. The main initially character doesn’t look like he had earlier in the series. However, he quickly picks up the high level of artistry from previous issues and ends on a stung note. Basically, this is the story of a man who has let his life go down the drain and is willing to do literally everything to get things back like they were in his youth. Even if it means he will have to live a lie (and even fool himself) for the rest of his life.  These four issues provide an illuminating peek into the darkest corners of a human soul. It’s not fun, but boy is it good!
Art: 9              Writing: 9.5                Overall: 9.2

3. Gladstone’s school for World Conquerors #5 (Image comics)     Gladstone's school for World Conquerors 5 cover
This is one of those series that takes well-known concepts and puts an entirely original and invigorating spin on it, in this case it plays with the tropes of the superhero genre and changes it up by telling a story from the viewpoint of the children from super villains, and their everyday life at a school for super villains. This issue is just heaps of fun, fun, fun! It’s impressing how, so far, with every new issue we learn something new about the characters and the world they live in. This issue sees Kid Nefarious banding together with his classmates to head out to earth (issue one explains that Gladstone’s is located on Mars) and defeat the Red Stormbreaker, the superhero who defeated all their parents. A fun detail is that Kid Nefarious learned about comic books for the first time, last issue. Now he’s constantly got his head in old comic books where he reads about the exploits and repeated defeats of his (and his classmates) parents, by Red Stormbreaker. Figuring that as villains their parents have never worked together to best Red Stormbreaker in combat, it’s up to their combined powers and education to restore honor to their parents’ legacies. This issue has great faux silver age art as well as great, dynamic action scenes by Armand Villavert.
Art: 9              Writing: 9       Overall: 9

4. Ultimate Comics Spider-man #1 (Marvel comics)ultimate spider-man 1 cover
Wow, this was really great. I just love the fact that Marvel’s ultimate editorial team is daring to put their ass on the line and do away with the old. This really feels like what the Ultimate line was ment for, putting new and unexpected spins on a bunch of characters we know through and through. The new Spider-man, Miles Morales (who isn’t Spider-man just yet) feels like a real, three-dimensional person. Brian Michael Bendis portrays him as a smart, but insecure kid. His supporting cast (parents and uncle) also feel really real. Plus, while this new guy also gets bitten by an irradiated spider, it looks like he has some interesting and original powers of his own. I´m thrilled to find out more. I really hope eventually we get to see some of the supporting characters from the old series (most notably Aunt May and Gwen Stacy), because Bendis wrote them so good and they were a very important part of Peter Parker´s story. Oh and the art, is this the first time Sarah Pichelli has done an entire Ultimate Spider-man issue? It’s spectacular, no scratch that, it’s ultimate! Because I always like to get a peek of the creative process, I’ve added this video of Pichelli drawing a page from Ultimate Spider-man:

I just wish we’d get some audio with it. I’d love to hear some of the thoughts that go into the drawings.
Art: 9              Writing: 9       Overall: 9

Quick shot reviews for week 38: If I read another first issue I’m gonna be sick…

A sweet two page sread of recess at Gladstone's school for World Conquerors, art by Armand Villavert.

A sweet two page sread of recess at Gladstone's school for World Conquerors, art by Armand Villavert.

 

5. Gladstone’s School for World Conquerors #1(Image comics)            8.7
After having read issues 2-4, this issue quickly and entertainingly explains why the school is named Gladstone’s. Besides that it does a pretty good job of introducing the students of this school for super villains: Kid Nefarious, Mummy Girl, Martian Jones, Ghost Girl and Skull Brother one and two (which we later learn will play a surprisingly important part in this story). Besides setting up the school (including such classes as explosives 101, extortion, oversized reptiles and home economics), and the characters, the story does a great job at unveiling a bit of the driving plot of the series: at the end of the issue we see a hero and villain meeting up in secret to arrange their next fight. The art is by Armand Villavert is beautiful, with sparse, delicate and highly stylized linework it reminds me a bit of the art by Corey Walker in the early issues of Invincible. The big difference being that Gladstone’s look a bit more playful. I think an extra round of applause should be reserved for Mr. Carlos Carrasco for his stark color combinations, which makes the art pop off of the page and makes the book stand out of the crowd.
6. The Vault #1 (Image comics)                                                                                             8
This had come out a couple of months back as well, but I hadn’t gotten around to it. The Vault tells the atmospheric and brooding story of an underwater treasure hunt. It reads very good, and feels like an excellent horror/thriller movie. But don’t worry, it doesn’t read like a movie pitch. It’s a well crafted comic which, I really dug. At first I was a little disappointed by what the treasure hunter team finds. But at the end, let’s just say I wasn’t anymore, and the horror/mystery vibe got amped up quite high. The art (quite photorealistic ) was a bit too standard for me, but that may be a personal taste thing. It fitted well with this story.
7. Demon Knights #1 (DC comics)                                                                                      8
Nothing wrong here, perfectly likeable book about DC characters both widely known (Etrigen, Madame Xanadu, Vandal Savage) and lesser known (the Shining Knight?). Looks good, reads even better. It takes place in the dark ages, I think it’s very interesting to see the early roots of the new DC.
8. Wonder Woman #1 (DC comics)                                                                                   8
Well, finally we’re back to a good Wonder Woman story. Great art by Cliff Chang. I don’t really know what else to say. Diana looks gorgeous, she gets involved in a murder plot against the unborn child of Zeus and thing are a quite dark. Good, clean fun, with a bit of a horror edge to it. Well worth your money.
9. Ultimate X-men #1 (Marvel comics)                                                                             8
I liked this mostly because of the characters, though the art (Paco Medina) and writing (Nick Spencer) didn’t hurt either. The characters of course are Karen Grant (aka Jean Grey), Angel (not Warren Worthington III), James Logan (little Wolverine) and firegirl (?) from Ultimate X and Johnny Storm, Bobby Drake and Kitty Pride from back in Ultimate Spider-man. Apparently Kitty is becoming ´the most feared and hated terrorist in the history of the United States´, which sounds very interesting. My only critique is that there was a bit too much going.
10. New Mutants #30 (Marvel comics)                                                                            8
Mephisto offers the team a deal to escape from Hell that seems so innocent I can’t imagine (but know there will be) a catch, while Dani Moonstar is defending Hel (notice how this one’s got only one ‘l’?), against the forces of the Fear Itself villain (the Serpent, right?). Great art by David Lafuente, especially the Dani scenes. This guy is so extremely good with expressions, it’s just a joy for the eye to watch the faces in this thing. The story by Abnett and Lanning is solid, fun and entertaining, though I’m still not sure they’ve got the newest recruit, Nathan Grey (aka X-man), pegged just yet.
11. Grifter #1 (DC comics)                                                                                                          8
I liked this despite never having read any Grifter prior to this. This is mainly due to the interesting plot, revolving around Grifter before he’s Grifter being abducted by telepathic space aliens (!?) while on his escape from a swindle. Unbeknownst to him, he’s missing 17 hours from his memory. Because of the abduction, his escape plan goes awry, he does escape from the aliens, but then is hunted by said aliens. Sounds a little out there, but it was really amusing to see that this wasn’t just another superhero story, but more of a science fiction mystery thriller.
12. Red Hood and the Outlaws #1 (DC comics)                                                     7.9
We get a very exploitative portrayal of Starfire, which I certainly notice (but have no problems with whatsoever). Beautiful art, okay story. I didn’t understand anything in the second half, other than Red Arrow and Starfire getting freaky together. But maybe that was the point as the last caption says: ‘to be explained’ instead of ‘to be continued’. So, at the least they have piqued my interest.
13. Pigs #1 (Image comics)                                                                                                     7.6
I really didn’t want to read another first issue, but this just looked so good. A stunning cover by Jock, followed by a conspiracy story about a second generation Cuban sleeper cell that’s gotten activated in the present and wants to overthrow the US government. The story switches between past and present and spans nearly 60 years. This is sure to be one of those rare books that’s rife with historic accuracy (the two authors must have done a ton of research) and political intrigue. The art wasn’t the strongest part of the book, but served its purpose well and got progressively better.
14. Star Trek #1 (IDW Publishing)                                                                                    7.5
Pretty standard Star Trek fare here, both story and art are pretty decent. This is a well told story about what looks like a psychic attack after the latest Star Trek movie. Get it if you’re a big Trekkie or really liked the last film (which both applies to me). Props are due to artist Stephen Molar, for really making the characters resemble their motion picture counterparts. If you’re not into Star Trek or the last movie, this is just ‘one of those comics’. It’s certainly not bad, not great either. But positively entertaining, just like many other comics.
15. Nightwing #1(DC comics)                                                                                7.5
This seems to be tying into the cliffhanger from Batman #1, it appears that somehow Dick Greyson has another alter ego besides Nightwing, which Gotham´s heroes don’t know about. Well written by Kyle Higgins, he’s got the relationship between Dick and Bruce down and writes Dick like a real person (eating cereal, grabbing his costume from the floor, facing his fears and insecurities etc). Now the art… it’s great in the action scenes, the rest though… …not so much. When people aren’t fighting they look stiff and indistinct, plus there are way too many two page spreads here.

Come back soon, for more wordy reviews of the top four books I read this week. In no particular order: Gladstone’s School for World Conquerors #5, Batman #1, Ultimate Spider-man #1 and Criminal. Last of the innocents #4. 

Quick shots week 33: Screams are the best sauce!

Panel from Gladstone's school or World Conquerors #4, published by Image comics, art by Armand Villavert.

Panel from Gladstone's school or World Conquerors #4, published by Image comics, art by Armand Villavert.

5. Gladstone’s School for World Conquerors #4 (Image comics)         8.5
This is my favorite new series out of Image this year, and it continues strong. The opening pages are full of action, while the rest is both sugary sweet (finally the romance between Mummy Girl and kid Nefarious kicks in) and funny. With great linework and exceptional colors, this is a beautiful book. The kids visit Mummy Girl and her dad Thoth to study for the mystical relics exam. But to do that, they first have to fight through a swarm of Ammut’s Stone Guardians of the Dead. This is a great all ages superhero book. If you’re not reading it, you really should check it out. This issue had me cracking up, when asked about comic books, Mummy girl suddenly sets of on a rant (for a preview see image below).

Art by Armand Villavert, from Gladstone's School for World Conquerors (Image comics).

Art by Armand Villavert, from Gladstone's School for World Conquerors (Image comics).

For a one minute overview of the first issue of the series check out this Comic Minute.
6. The Walking Dead #88 (Image comics)                                                              8.5
Aaaaaaaaaand the situation with Carl and especially Rick’s reactions gets more complicated! It seems both Carl’s memories, as well as his emotions got damaged by his recent trauma capitis. Meanwhile Rick seems to be fleeing from his own emotions. Solid art, just as always, and an intriguing story combining both strong emotional dialogues as well as some set-up to move the plot forward: It seems not everybody is glad with Rick’s group at their settlement.
7. BPRD. Hell on Earth. Monsters #2 (Dark Horse comics)                         8.5
Great, great art… Liz is still stuck in a trailer park filled with weird religious fanatics (as opposed to the normal ones) who want her dead, and almost every time she seems to get a break, it falls through… Plus, we also get a sneak peek of the cataclysms that Hellboy is causing/dealing with in Hellboy the Fury. Plus, we have two short departures to BPRD headquarters, where one of the big guns suddenly has a ‘critical malfunction’. Really amazing storytelling, only feels a little short.
8. Moon Knight #3 (Marvel comics)                                                                        8.3
The series as a whole (and especially the art) keeps improving. It’s a well executed comic, it just doesn’t excite me. We see how Marc Spector got his new tech expert and how he immodestly outed himself as a madman to him. We also see him trying to get together with Echo and we learn who’s hired to go after him, the Night Shift: do we know these guys?
9. X-men Schism #3 (Marvel comics)                                                                         8.2
Jason Aaron handles the X-men great. Things come to a boiling point between Cyclops and Wolverine, when Cyclops sends an untrained kid into battle against the Hellfire club (who have just defeated Emma, Colossus, Iceman, Namor and Magneto). I’m with Wolverine on this one…
10. Ultimate Fallout #5 (Marvel comics)                                                                      8
Well written stories, I especially liked the dialogues by Nick Spencer in the Quicksilver story… The Nick Fury story by Hickman has me all giddy for his upcoming run on the Ultimates, it looks to be reminiscent of the Millar and Hitch run, which is one of my all-time favorite story arcs.
11. Flashpoint: Frankenstein and the Creatures of the unknown #3 (DC comics) 8
Okay, so we’ll see everybody from the miniseries fight in the Flashpoint finale… Great little story with a silver age twist that stands well on its own. A shame the previous issue had some art problems, this series seems a good introduction to next month’s Frankenstein: Agent of Shade
12. Moon Knight #4 (Marvel comics)                                                                              8
This series just doesn’t grab me. While last issue Maleev’s art was up to snuff with his Daredevil stuff, this issue took a little step back, especially in the fight scenes. I love Maya Lopez, it’s great to see her again, I also love Mark Spector sitting around listening to his imaginary Wolverine, Spider-man and Captain America, it’s well written, the story is just not getting me. This was the last issue for me…
13. Ultimate Fallout #6 (Marvel comics)                                                                  7.8
I like Gwen and her new look, weird that it makes her look way older though… Very well written coping of the situation by May and Gwen. Art by Bagley looks more than ever like his nineties stuff and although I’ve never been a big fan of it, I’m loving this. In the last few pages it gets a little less good, plus I never expected to see Nick Fury cry. Let alone the Ultimate one… Misleading cover though, Cap is not featured in this issue and there’s only one line referencing the fact he quit SHIELD.
14. New Mutants #29 (Marvel comics)                                                                       7.7
Great story of Dani trying to get in touch with Hella to look for help with all the Fear Itself stuff, but instead she’s being summoned by Hella… The rest of the team is back in SF, oddly not fighting the Juggernaut. That was a little weird. Also, X-man is now part of the team and is just standing around, while he is apparently suddenly very passionate about his new team mates. Great art by David Lafuente, really reminiscent of JRjr drawing the New Mutants back in the eighties, I liked his Ultimate Spidey stuff better, but it looks like he’ still finding his bearings on the characters and settings, I think this will be beautiful next issue.
15. Flashpoint: Emperor Aquaman #3 (DC comics)                                       7.7
Solid art, don’t understand the need for the flashbacks… Hate, hate, hate, though it’s entertaining, things feel a little too convenient… And again with the empty helmet with hair, flying through the sky… Of all the gore and guts that are displayed in comics, why the hell is DC shying away from depicting the decapitation of Merra?
16. New Mutants #28 (Marvel comics)                                                                      7.5
Dani Moonstar invites an outside psychiatrist to attend to her teammates, in doing so, she has to explain concepts like Nate Grey and his relation to Hope Summers. I just love the way writers Abnett and Lanning boldly embrace decades of convoluted X-history. This is an in-between issue, but a very good one. Art was okay, a little too manga-ish for my taste but fits the book well.
17. X-men legacy #253 (Marvel comics)                                                                   7.5
Weird art inconsistencies were the art actually got better for a couple of panels, but then dropped in beautifulness again… Finally Rogue, Magneto and Gambit are going after the lost space X-men…
18. Captain America #2 (Marvel comics)                                                                 7.2
Enough with this Heroic Age shit. First we get Daredevil in daylight and now a Brubaker penned Cap that’s not dark and gritty? The banners are gone, but this feels like the same old Cap we knew before Brubaker came onboard. Mcniven’s art wasn’t as good as last issue. Weirdly, this book is trying to combine Inception with the Captain America movie. I mean, REALLY???
19. Flashpoint: Deadman & the Flying Graysons #3 (DC comics)          7
It seems rather pointless having this story concluded, the Amazons were after the Helmet of Faith, but didn’t get it. Deadman died and Dick joined the resistance… So I guess we’ll see Dicktor Faith and Deadman in the last issue of Flashpoint… It was entertaining though and better than last issue. Art-wise, some panels were great while other were rather rough…
20. X-men #15.1 (Marvel comics)                                                                                  6.8
The writing in this is just so corny. Cyclops: “Vengeance is on back order. But we just got a fresh shipment of get lost.” Or what about a demon who threatens: “…or you will still be awake when we feed on your intestines. Screams are the best sauce.” While the art was pretty good, the story seemed pretty pointless. Introduction of hopeless situation, enter Ghostrider, fight, fight, fight, twist after battle, X-men walk away… No character growth, emotional beats, forward moving of an overarching plot, nothing of the like…
21. Batman #713 (DC comics)                                                                                           6.5
I picked this up because of the solicit text: “Over the years, Dick Grayson has worn several guises: First, he was Robin the Boy Wonder, then Nightwing, and finally Batman. But now that Bruce Wayne has donned the cape and cowl once again, Dick finds himself at an identity crossroads.” This lead me to believe, this issue would get into the post-reboot changes. Turns out it didn’t, nor did the story relate even a little bit to the solicit text… Art was good, story felt kind off stocky…

Runners up for week 30: Red Skull: Incarnate 1, Sweet tooth 23, Gladstone’s 3.

3. Red Skull: Incarnate #1 (Marvel comics)
Great, human, emotional. This book offers a serious origin for the man who would become Captain America’s greatest foe. While it coincides smartly with the release of the recent Captain America movie, this is not one of those throw-away, money grabbing movie tie-ins. Au contraire, for those familiar with Greg Pak’s Magneto testament, it’s clear that this series is a well researched documentation of fictional characters in a sadly non-fictional history. While the title characters of both books originate from brightly colored superhero comics, Pak’s World War Two titles are anything but colorful and do not contain superheroes (or anything fantastical for that matter). It tells the story of the young Johan Schmitt, who grows up in an orphanage in Germany at the time that Hitler’s NSDAP is gaining power. The kid is the victim of a terrible and violent life and before long starts to commit his own acts of violence… The story seems to be terribly historically accurate and rife with truthfulness. The only reason the writing is not perfect is because of the lack of resolution. This issue shows the first and a very terrible step to becoming a monster, but it doesn’t resolve enough or go into what comes next.
Art: 8           Writing: 9         Overall: 8.5

4. Sweet tooth #23 (Vertigo)
What to say about Jeff Lemire’s art? Other than that it’s mighty fine, it’s dark, moody and expressive and quite distinctive. I’m guessing a lot of mainstream comic readers are turned off by his style… …they are wrong. As to the story: While Gus and co finally find themselves in a safe place, tensions between the different individuals are rising to a boiling point. This leads to the characters having to make choices. Gus and Jepperd want to keep moving to Alaska, while the girls want to stay sheltered in the Dam. Meanwhile the professor sows seeds of distrust that are presumably based on the bible scribbles of Gus his dad. Screw X-men schism, if you want to read about a group of characters that gets torn apart because of circumstances, read Sweet tooth… I really admire the way that Lemire has woven a tail of postapocalyptic animal children, intense human drama and a conspiracy that reminds me of the Dharma Initiative.
Art: 8           Writing: 8,5      Overall: 8.3

5. Gladstone’s School for World Conquerors #3 (Image comics) Great original story and interesting set up with a worldwide (?) truce between superheroes and super villains. However, darkness is looming on the horizon because certain villains are rebelling and trying to break the armistice. This issue explains that the villains leave their kids under the impression that there is no truce until they’re seventeen. Interestingly though, we learn of two students of the supervillain academy that are tasked by their imprisoned parents to bring an end to the peace between heroes and villains. Just as last issue I’m immensely impressed by the world-building by creators Mark Andrew Smith and Armand Villavert. In just three issues they have set up a rich and believable world that plays with the usual superhero formula’s, but turns them upside down in a way that’s wholly new to me. And as a central plot device they use a school for supervillains with which they can tell the story through the kids’ eyes. Last time I compared Villavert’s art with Darrow and Kirby, while I still agree with that I think it’s more fitting to put him in the school of art that gave us the Luna brothers and Jamie MCCalvie: Very clean, stylized, illustrating. Again, the only (minor) problem is the lack of backgrounds. Otherwise this title has all the ingredients to follow the success of a series like Invincible… This may be my favorite new book!

Art: 8           Writing: 8         Overall: 8