2. Swamp Thing #2 (DC comics)
This isn´t a gay thing or something, but man am I hot for Scott. Comic writer Scott Snyder that is. For a relative newcomer he has a remarkable track record. I´ve read all but one of the series he has worked on and loved them all (American Vampire being the exception). This newest incarnation of Swamp Thing, continues this trend. The second issue of this series was wordy, very wordy. But not in a bad way. This issue explains whether or not Alec Holland ever really was Swamp Thing. It also explores a new take on the Swamp Thing saga, as we learn that the Swamp Thing is a legacy character. According to this, the swamp monster that we have grown to know and love is only the most recent incarnation of the living embodiment of ‘the green’. In this issue a representative of the parliament of trees offers Alec Holland the chance to become Swamp Thing, and as such to become their greatest knight and take the fight to the new bad guy Sethe. After his decision, he gets chased out of his motel by a mob of Sethe’s twisted walking corpses, only to be saved by the person he really didn’t want to meet. Really great art by Yanick Paquette once again, with things like birds and plants which actually look like the way they do in the real world. This is my surprise hit out of the 52 new books by DC, I had never read any Swamp Thing, but this offers the perfect jumping on point. Art:9 Writing:8.5 Overall:8.7
3. The Rinse #2 (Boom studios)
I continue to be amazed at how exciting writer Gary Phillips has made this story about money laundering. This should be boring and dry, but instead it’s both intelligent and informative as well as raw and thrilling. Most of all though, this is one of those very original series, which we only get few and far between. That’s why I’ll savor this story. Sure there are crime comics, mostly they handle with fucked up people doing fucked up things. But this is something else entirely, the main character is a successful small time hustler who gets tied up in a very big case. Before he knows it he’s got both mobsters and police after him. Phillips has infused his characters with a great deal of humanity. All of them, no matter how small their role, have an extraordinary strong and realistic presence on the page. And to make this click even better, once again we are treated to a perfect cliffhanger. The art by Mark Laming seems a bit cleaner, compared to the first issue. It looks like Laming’s gotten confident enough to do his own thing and isn’t leaning as much on influences from Sean Phillips on Criminal. Now I’m wondering if publishing this review will get me followed by the anti-money laundering bot again…
Art:8 Writing:9 Overall:8.5
4. Marvel Universe vs Wolverine #3-4 (Marvel comics)
This series follows the events of the world being overtaken by an airborne virus that turns people (including those with superpowers) into aggressive, base savages. In the end, it’s up to Wolverine, Captain America and the Punisher to take a stand against the infected (lead by the Hulk), while Marvel’s top scientist try to fix things. Great covers, beautiful art and everything that would make a die-hard marvel reader excited: unexpected team-ups; graphic violence (the Hulk bites Wolverine’s arm off); characters that have never interacted with each other, driven to do so out of sheer despair; plus some dramatic action scenes featuring a virtual who’s-who of the Marvel universe, all rendered in really intense, dark art. The art by Laurence Campbell and Lee Loughridge reminds me a little of Sean Philips. Which talking of whom, this series reminds me a bit too much of the original Marvel Zombies by Philips and Robert Kirkman. I think that this reads much better, because it’s not intended as jokey/mondo/exploitative as Marvel Zombies was. Also, I don’t understand why the ‘zombies’ are still cognizant but seem to have devolved a couple of thousand years. They know no science, but only magic, and both Hulk and The Thing have kind of donned a shamanistic wardrobe. This series was really well written by Jonathan Mayberry, one of the most underrated writers at the big two. I would really like to see him write Marvel´s next big summer event. Ultimately though, I have to say I was disappointed by the ending of the series. There’s no real resolution, just a two year later epilogue that leaves a lot of stuff open. Still that doesn´t take away from this being one hell of a romp through the darkest corners of the Marvel universe.
#3 Art:8.5 Writing:8.5 Overall:8.5
#4 Art:8.5 Writing:7.8 Overall:8.2
2. Crawl to me #2 (IDW Publishing)
I reacted quite strongly (with my whole body) to this issue, because of this follows a guttural review (sorry, I’ll be swearing up a storm), describing my reactions as I was reading. Just to be clear: This is a horror book about a young family who is vacating their new home were something is horribly wrong. [written at page three:] The first couple of pages had me going ‘What the Fuck?!?!’, almost every panel. [Written at page nine:] Holy shit, I know this can’t be real. Ryan, the main character also knows this, but holy shit is this working on my nerves. We’ve landed smack dab in crazy town. [Written at page ten:] And just when you think things have turned back to normal, people have no eyes. This is some fucked up shit! [Written at page fifteen:] OMG she’s just cutting her hair, but it’s SO fucking creepy!!! [Written at page sixteen:] But I guess that means Ryan isn’t crazy (or at least not the only one whose crazy), as the scissors are talking to her… ‘You know what you have to do right?’. Oh no. No. Not the baby, right? [Written at page seventeen:] And then it looks like the baby’s gonna bite it… Shit man… [Written at page eighteen:] I’m clenching my fist here and have a weird feeling in my stomach… Things are not right. [Written at page twenty-two:] And it ends with the creepy child molester’s belt buckle. Wow, this went fast, but it was scarier than a fucking roller coaster!
Art:9 Writing:9 Overall:9
3. Swamp Thing #1 (DC comics)
It took me a while to get into this issue. I didn’t really care for the first half, but the story really picks up in the last third. That’s the part where we learn about a dreadful new villain (emphasizing once more that Swamp Thing is unmistakably a horror title). This part also shows how Alec Holland is plagued by ´the green´ (Swamp Thing’s connection to all of the world’s flora) and his memories of being Swamp Thing. While I wasn’t particularly excited about the writing, the art though… Oh, my God can this Yanick Paquette guy draw. He was already wonderful recently on Batman Inc., but with this series he has even improved upon that. For a random example of his unequalled artistic qualities, the first page of this book has the best looking pigeons I’ve ever seen in a comic book. They don’t just look like random birds, colored to look like pigeons. These are some realistic goddamned pigeons. Also in my review of Justice League #1, I said Superman’s new costume looks kind of like a royal ceremonial armor. …Well scratch that, in this issue he looks like a fascist superhero… Which I bet is not what DC was aiming for…
Art:9.5 Writing:8 Overall:8.8
4. Jesus Hates Zombies. A Jurassic kinda life #1 (215 Ink)
This was one of my favorite reads in some time. Especially the number of chuckles (and even laugh out louds) it got from me made it rocket up the chart. The story by Stephen Lindsay doesn’t particularly make a lot of sense (however, I haven’t read the first Jesus Hates Zombies series, so who knows?), but if you want to read something completely different, you should really try it out. While the main character is Jesus (H.?) Christ, this isn’t your momma’s Jesus. For one thing, this Jesus curses like a sailor. It’s surprisingly refreshing to read the son of God go: ‘Sweet candy cane strap-ons! Is it really you, buddy? Fucking miracles never cease!’ Other important characters in this are Abe Lincoln (Jesus’ main wingman in prehistoric times), Benjamin Franklin, (SPOILERS) Elvis Presley and the animated wheelchair of Steven Hawkins (?)… The story: Jesus and Abe are stuck in prehistoric times, which for some reason is becoming infected with a zombie epidemic. They’re struggling with the decision of just getting back or saving reality as they know it. I thought that beyond the Walking Dead I was zombied out, but this proves me wrong. It actually a very good story, both exciting and funny and accompanied by outstanding, energetic artwork by Belgium artist Rob Croonenborghs. The book is black and white, uses a lot of effective dot patterns for extra texture. The only problem I had with this is the format. While there isn’t necessarily anything wrong with a smaller format, I thought some of the more diminutive panels became a bit unclear because of the scale. But seriously go check it out, it’s a ‘gloriously fun-filled prehistoric romp’ of 64 (!) pages.
Art:8.5 Writing:9 Overall:8.7
Posted in Runners up
Tagged 215 ink, Alan Robert, Comic book review, DC, horror, IDW, New52, Rob Croonenborghs, Scott Snyder, Stephen Lindsay, Yanick Paquette